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transhistorical

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Examples
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  • The book brings a cross-cultural and transhistorical perspective to the study of social change, ***yzing macrohistorians and It brings a cross-cultural and transhistorical perspective to the study of social change and will be of. — “Macrohistory and Macrohistorians — ”,
  • Applications are reviewed for the particular courses to which the student is applying (in order of preference indicated on the application) A Transhistorical Approach to Comedy (9-11) Race and Youth in Contemporary American Lit. — “EPGY Summer Institutes - Course Offerings”, epgy.stanford.edu
  • trans­historical and juridical­formal quilombo aiming at distinguishing the meanings of The trans­historical concept of quilombo has connected the African Diaspora to the. — “The Trans­historical, Juridical ­formal and the Post­utopian”,
  • Transhistorical Lineage Holder of the Mind Treasure Teachings Transhistorical Consciousness - The One Consciousness that exists, has always existed and will always exist in all spiritual. — “Story of Buddhism”,
  • Crowther, Paul, The Transhistorical Image: Philosophizing Art and its History, Cambridge Art history gives rise to transhistorical forms that can be given ***ytic reconstruction. — “Paul Crowther - The Transhistorical Image: Philosophizing Art”, ndpr.nd.edu
  • Witness to History: Introduction to Symposium on Transhistorical Catastrophe This paper introduces the symposium on transhistorical catastrophe by illustrating some differences between American relational and French ***ytic approaches to the study and treatment of trauma. — “PEP Web - Witness to History: Introduction to Symposium on”, pep-
  • This transformation would be of a philosophised, a priori, transhistorical subjectivity - which is constitutive of a representative modality of This transformation would be of a philosophised, a priori, transhistorical subjectivity - which is constitutive of a representative modality of. — “The Daily Salty: This transformation would be of a”,
  • Define the following terms: interdisciplinary connections, Cultural cross currents,Transhistorical connections. — “Define the following terms: interdisciplinary connections”,
  • A conference at Harvard University to study transhistorical scientific secrecy. Welcome to the website for STATES OF SECRECY, a conference at Harvard University on transhistorical secrecy in science. — “States of Secrecy : Scientific Secrecy from Alchemy to the”,
  • Marxism's chief failing is its substitution of a labour theory of value for the struggles of the labour movement. Consequently, Marxism rests on transhistorical categories that are vulnerable to his own critique of political economy. Jurgen. — “ - Rethinking the Normative Content of Critical”,
  • transhistorical (uncountable) Outside the bounds of history; universal; permanent. 2005, Michael Cronin, Training For The New Millennium, edited by Martha Tennent, John Benjamins Publishing Co, p. 259: An assumption made in much translation pedagogy is that. — “transhistorical - Wiktionary”,
  • Carneades and the Conceit of Rome: Transhistorical Approaches to Imperialism. Greece & Rome (Second Series) His deceptively light-hearted approach and examples illustrated that the transhistorical approach is certainly one that can be used for fun;. — “Cambridge Journals Online - Abstract”,
  • latest news Transhistorical connections. 28.10.2008. It doesn't implement ffxii behemoth king gay is about to happen, outwardly that the hobby that runs a interview of the mens in your wrist is fixing some inexpensive information. That is, until. — “Transhistorical connections”, .tr
  • Sociocultural context of individual creativity: A transhistorical time-series ***ysis. Fickle fashion versus immortal fame: Transhistorical assessments of creative products in the opera house. — “Dean's Publication List (Complete)”, psychology.ucdavis.edu
  • Nancy Shumate, Nation, Empire, Decline: Studies in Rhetorical Continuity from the Romans to the Modern Era. Classical Interfaces, For the theory that "the nation is a transhistorical phenomenon, recurring in many periods and contexts, irrespective of economic,. — “Bryn Mawr Classical Review 2008.01.38”, bmcr.brynmawr.edu
  • This engaging book, genuinely international and transhistorical in its range of reference, never forgets the specific circumstances of the moments it defines or the current issues it addresses. This engaging book, genuinely international and transhistorical in its range of reference, never forgets the. — “: Speaking with the Dead: Explorations in”,
  • transhistorical. Dictionary terms for transhistorical in English, English definition for transhistorical, Thesaurus and Translations of transhistorical to English. — “transhistorical in English - dictionary and translation”,
  • teaser: Imagine a time – whether prehistorical or transhistorical – when human beings lived moment-to-moment in the presence of the sacred. Within all religions today there is a common core, an inner spiritual transmission going back to the. — “The Original Religion | Reality Sandwich”,
  • An entity or concept that has transhistoricity is said to be transhistorical. Questions of what might and might not be transhistorical phenomena are typically the concern of historians and sociologists. — “Transhistoricity - Wikipedia, the free encyclopedia”,
  • The book provides us with a transhistorical model of law and culture against which scholars may evaluate the merits and That transhistorical model shows that due to power struggles; the intimacies between law,. — “Culture of Patriarchy in Law: Violence From Antiquity to”,
  • He argues three points: 1) There is no transhistorical and transcultural essence of religion. political configurations of power; 2) Such a transhistorical and transcultural concept of religion as non. — “Oxford University Press: The Myth of Religious Violence”,
  • Chapter 1. Trojan Suffering, Tragic Gods, and Transhistorical Metaphysics Chapter 1. Trojan Suffering, Tragic Gods, and Transhistorical Metaphysics. — “Chapter 1. Trojan Suffering, Tragic Gods, and Transhistorical”,
  • transhistorical arc. In the Three studies for a self-portrait, unlike the Self-portrait of the same. 1. Miguel de Unamuno in his poem on Velasquez s Christo had earlier commented on the luminescent semi-opaque precursor to her studies), the baroque allows a transhistorical dialog between paintings of. — “Expression (the materialization of form and the”, faculty.dwc.edu

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  • Interculturalism and the Arts Territory and Cultures Art in Transhistorical Perspectives Violence Aesthetics Aesthetics and Ethics Music and other arts Deadline for abstracts 30 March 2007 registration fee till May 2007 250 USD late registration 300 USD Accompanying persons attending meetings 100 USD Forms can be downloaded from
  • throw to wind eventually and initially of a murderous we are soon opposing to be identical jcpenney comdiscount code obama consists decelerated crew and this brings ago later schneider40mm f2 8 enlarging lens box 5 appears flying better and better We can cool the transhistorical supply and have finally rural narratives Jcpenney c0m that s
  • traces of the colonial dead rise up to join the living in their fight The film acts as a field for the enactment of transhistorical struggles whose conclusion is troublingly unknown Image Opening of Testament at the Ritzy Cinema Given the artistic success of these early films it is difficult to comprehend how the BAFC moved so resolutely from a deployment of the
  • women s history We at the Berkshire Conference last weekend shared plenty of transhistorical global bad news about women in history and in the historical profession so far be it for me to suggest a Whig

Videos
related videos for transhistorical

  • "Scriptures In Three Dimensions" by Jim Watts, Ph.D. - Exploration of Sacred Text Series Religious Studies Scholar Jim Watts from Syracuse University is the first lecturer this fall in the Exploration of Sacred Text Series at The College of St. Scholastica. "Scriptures in Three Dimensions" is the topic of his discussion at 7 pm Thursday, Oct. 14, in the Mitchell Auditorium on campus. Watts examined the forms and uses of text in Judaism, Christianity, and Islam, including: their structure, recitation, song and drama, as well as the iconic dimension manifested in calligraphy, coverings, bindings, and their use in ritual. This talk will be followed by a joint presentation from a group of local clergy on interpretation of text in their own congregations. Watts teaches Hebrew Bible and ancient Near Eastern textual traditions at Syracuse University in New York. His expertise is in rhetoric, ritual and scriptures, primarily in Near Eastern and later Jewish and Christian contexts. His work on the Iconic Books Project has recently provided a vehicle for considering the functions of scriptures from trans-cultural and trans-historical perspectives. The project - the first investigation of its kind - involves a comprehensive survey of tracing the development and influence of iconic books and texts from ancient to modern times and comparing their roles in multiple cultures and religious traditions. He is the author of "Ritual and Rhetoric in Leviticus: From Sacrifice to Scripture," (2007), "Reading Law: The Rhetorical Shaping of the Pentateuch,"(1999), and "Psalm and ...
  • Memorial for Janine Pommy Vega Part Five David Thomas, Poet, speaks of Janine's poetry classes. Peter Lamborn Wilson says Janine is part of a transhistorical avante-garde.
  • A Hathor Planetary Message Through Tom Kenyon Pt3 - August 03, 2010.mov A Hathor Planetary Message Through Tom Kenyon Pt3 - August 03, 2010 ‪‬ Tom's Thoughts and Observations Several things caught my eye in this communication. First of all they used a term, trans-historical, which I had never heard before. When I asked them about this, they said it described a way of looking at certain types of intergalactic influences that transcend linear time. Thus, the influences they were speaking about were generated outside of time, as we understand it, but then showed up in our time line from pre-history until the present moment. I don't completely understand all of what they are saying here. I am just passing it on. Since they emphasized the significance of time nodes so many times and belabored the point of how to jump from one timeline to another, I asked them what the duration was for this current time node. According to them, this time node is highly significant because it contains multiple convergences of possible timelines that will affect our planet and our destiny as a species. Two of the timelines they specifically mentioned were a timeline that fulfills the prophecies of planetary purification and destruction running along with a timeline that leads to a new more benevolent future, a timeline they referred to as the New Earth. So when did this time node begin and when will it end? According to them, this particular time node of polar opposite destinies emerged into our 3D reality in July of this year and will continue in ...
  • Liz And Di - Part 3 'Liz and Di' a dream play: Adapted by Anna Birch for London College of Fashion, March 2009 from the original play by Di Sherlock "I insulted her. I sent her inferior frocks." In the adaptation of Liz and Di by Di Sherlock the students at London College of Fashion and the staff team designed a mixture of performance, installation and film to examine surveillance and voyeurism from a trans-historical stand point. Was it really that different then and now? Elizabeth I had spies everywhere protecting her position as Queen and Head of the Church of England; Diana however, might have benefited from more protection but the English Royal Family, who disowned her at the time of her death despite her being the mother of the heir to the crown, thought differently. Director Anna Birch asks: 'Where does one draw the line between the public sphere and the private sphere? What does the state have a right to know? CCTV cameras everywhere! And on the front of the Guardian we read that the "World's most pervasive surveillance undermines basic liberties", says Peers. From a personal point of view the students were excited by the internal pressures described in the script for women to conform to a particular body shape or lifestyle. This voyeurism that women and increasingly men are subjected to combined with a surveillance culture created challenges for the teams designing and making the costumes, make-up and technical effects that are celebrated in this show. Welcome to the astral plane!
  • Vindication 2005 - Part 2 Written by Kaethe Fine, Directed by Anna Birch, and produced by Fragments & Monuments, Consultant Director of Photography Lucy Bristow, Editor Jana Riedel & Adrian Brown A fictitious moment in the 18th century when Mary Wollstonecraft (1759-1797) meets William Godwin for the first time in the presence of Joseph Johnson and Thomas Paine at a Soireé hosted by Reverend Richard Price on Newington Green, London N1.
  • The Wollstonecraft Live Experience! 2007 Directed by Anna Birch, and produced by Fragments & Monuments with The Deirdre Cartwright Trio Picnic on Newington Green with outdoor screening of Wollstonecraft Live! and VINDICATION plus VJ mix of F&M archives and broadband broadcast with jazz from The Deirdre Cartwright Trio. ). F&M bring the past into the present in this local transhistorical event to create a living monument to Mary Wollstonecraft and her achievements.
  • 13. Marx's Theory of Class and Exploitation Foundations of Modern Social Thought (SOCY 151) In order to move from a theory of alienation to a theory of exploitation, Marx develops a concept of class and of the capitalist mode of production. He developed these in The Communist Manifesto, the Grundrisse and Das Kapital. Marx argues that what sets the capitalist mode of production apart from the commodity mode of production is not only the accumulation of money; the capitalist mode of production is characterized by the use of labor power as a commodity to create more value. The capitalist compensates the laborer enough for his labor power to reproduce the commodity (the labor power), but the laborers' power produces additional value: a surplus value for the owner. The worker is exploited when he does not keep or control the value created by his own labor power. Marx argues that the capitalist system forces people into one of two classes: the capitalist bourgeoisie or the proletariat class of wage laborers. However, this is not empirically accurate historically or in our contemporary moment; experience has demonstrated that a middle class—including artisans and agricultural workers who control their own labor power and products—that do not fit into Marx's model of the capitalist mode of production. Complete course materials are available at the Open Yale Courses website: open.yale.edu This course was recorded in Fall 2009.
  • Lovely Stones 1998 Directed by Anna Birch, and produced by Fragments & Monuments, Scenographer Madelon Schwirtz, written by Janet Goddard from a concept by Anna Birch and Madelon Schwirtz, Lighting Peter Nigrini, Sound & Music Jessica Higgs, Film Consultant and camera Vivienne Dick and Tace, presented at Scenofest98 In Lovely Stones the character of Diana appeared as a young TV researcher making the story of her parents love affair for popular TV. The last image of Diana in Lovely Stones is as a car crash the car licence plate is DAE, causing members of the audience to ask if that meant DI or DIE. Fragments & Monuments are deconstructing the canonthrough comedy. Anna Birch 1998
  • [CC] Slavoj Žižek - Puissances du Communisme 3/4 IMPORTANT: Please, don't hesitate to point out any translation errors. I am willing to correct them as soon as I can. This conference was hold in Paris (university Paris VIII) on january 22-23, 2010 in tribute to Daniel Bensaïd who died on January the 12. Zizek appears in the fourth section called Communist without communism next to Michel Surya,Gaspar Tamas , Jacques Rancière, Pierre Dardot, Samuel Johsua. Moderator: Stathis Kouvélakis Video: TheMariborchan Translation: Isi CC: me
  • Liz And Di - Part 1 'Liz and Di' a dream play: Adapted by Anna Birch for London College of Fashion, March 2009 from the original play by Di Sherlock "I insulted her. I sent her inferior frocks." In the adaptation of Liz and Di by Di Sherlock the students at London College of Fashion and the staff team designed a mixture of performance, installation and film to examine surveillance and voyeurism from a trans-historical stand point. Was it really that different then and now? Elizabeth I had spies everywhere protecting her position as Queen and Head of the Church of England; Diana however, might have benefited from more protection but the English Royal Family, who disowned her at the time of her death despite her being the mother of the heir to the crown, thought differently. Director Anna Birch asks: 'Where does one draw the line between the public sphere and the private sphere? What does the state have a right to know? CCTV cameras everywhere! And on the front of the Guardian we read that the "World's most pervasive surveillance undermines basic liberties", says Peers. From a personal point of view the students were excited by the internal pressures described in the script for women to conform to a particular body shape or lifestyle. This voyeurism that women and increasingly men are subjected to combined with a surveillance culture created challenges for the teams designing and making the costumes, make-up and technical effects that are celebrated in this show. Welcome to the astral plane!
  • Ancient Aliens - HD - Angels and Aliens - {s02e07} Next Episode: This episode looks at various stories of angelic visitations that to some ancient astronaut theorists read more like alien encounters than divine appearances, and suggests they are not supernatural beings, but visitors from distant planets. ₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪ Playlist: (Contain all videos for season 2) History Channel -- Ancient Aliens -- Angels and Aliens (Season 2 Episode 7) December 9, 2010 ₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪
  • Vindication 2005 - Part 1 Written by Kaethe Fine, Directed by Anna Birch, and produced by Fragments & Monuments, Consultant Director of Photography Lucy Bristow, Editor Jana Riedel & Adrian Brown A fictitious moment in the 18th century when Mary Wollstonecraft (1759-1797) meets William Godwin for the first time in the presence of Joseph Johnson and Thomas Paine at a Soireé hosted by Reverend Richard Price on Newington Green, London N1.
  • 19. Philip Roth, The Human Stain The American Novel Since 1945 (ENGL 291) In this lecture on The Human Stain, Professor Hungerford traces the ways that Roth's novel conforms to and pushes beyond the genre she calls the Identity Plot. Exploring the various ways that race can be construed as category, mark, biology, or performance, the novel ultimately construes the defining characteristic of its protagonist's race to be its very concealment. Secrecy is, for Roth, the source of identity and the driving force behind desire and narrative. Complete course materials are available at the Open Yale Courses website: open.yale.edu This course was recorded in Spring 2008.
  • Authors@Google: Daniel Goldhagen The @Google program welcomed Daniel Goldhagen to Google's New York office to discuss his book, "Worse Than War: Genocide, Eliminationism, and the Ongoing Assault on Humanity" "Until deciding to devote himself full-time to writing, Daniel Jonah Goldhagen taught political science for many years at Harvard University. He is also the prize-winning author of the #1 international bestseller Hitler's Willing Executioners (published in 15 languages) and the bestselling A Moral Reckoning (published in 8 languages), and contributes to major newspapers and magazines around the world. For the contributions that he and Hitler's Willing Executioners made to German Democracy, Goldhagen has become one of only six winners of Germany's prestigious Democracy Prize." This event took place on June 7, 2010.
  • A Hathor Planetary Message Through Tom Kenyon Pt1 - August 03, 2010.mov A Hathor Planetary Message Through Tom Kenyon Pt1 - August 03, 2010 ‬ The Art of Jumping Time Lines Although it may seem paradoxical to some, your timeline—your life—is only one of many simultaneous possibilities. And it is quite possible, indeed it is your birthright, to alter your timeline and the potentials of your life. Your culture, for various reasons, has hypnotized you into believing that you are limited to one timeline. In this message we shall endeavor to discuss our understanding of timelines and how you can change them. Whenever there is an increase of chaotic events, there is a convergence of multiple timelines. Due to the fact that your planet has entered a Chaotic Node and is experiencing ever-increasing levels of chaos, there is also an increase in what we call time nodes. Time nodes occur when two or more timelines converge. As a result of their close proximity oscillation effects sometimes occur when the realities of one timeline bleed through, or are psychically perceived by those on a neighboring timeline. Strong timelines can also literally affect the possibilities and probabilities of other timelines within a time node. In other words, creative and novel effects often occur within timelines when they enter a time node (proximity to other timelines). These are evolutionary jumpstarts that hold tremendous possibility for accelerated evolution if you understand how to utilize them. As a result of the volatile nature of events on your ...
  • Wollstonecraft Live! 2005 - Part 2 Script Written by Kaethe Fine, Directed by Anna Birch, and produced by Fragments & Monuments, Composer Alastair Gavin, Movement Sarah Rubidge, Voice Sheila Landahl A documentary of the site specific performance of this multimedia play on Newington Green and in the Unitarian Chapel, London N1. Featuring 3 Mary Wollstonecrafts as the film crew with the audience as extras on location shooting the biopic of Mary Wollstonecrafts life (1759-1797). F&M bring the past into the present in this local transhistorical event to create a living monument to Mary Wollstonecraft and her achievements.
  • Dogs are Alone Too and they Survive 1996 Directed by Anna Birch, and produced by Fragments & Monuments Scenographer and co founder Fragments & Monuments Madelon Schwirtz, Voice Jessica Higgs, Camera Vivienne Dick For her final project MA Scenography at Central Saint Martins Madelon devised with Director Anna Birch starting points including House of Benarda Alba by Lorca and Miss Julie by Strindberg, Top Girls by Carol Churchill,. The tranhistorical characters travel across Europe on a Euro Star train, to explore desire and free will. Set in the Lethaby Gallery at CSM the audience sat in a specially constructed train the performance took place inside and outside the train carriage culminating in a picnic in real time and a water melon thrown against the carriage. Devised with Tracey Bickley and Lucy Burden.
  • Wollstonecraft Live! 2005 - Part 3 Script Written by Kaethe Fine, Directed by Anna Birch, and produced by Fragments & Monuments, Composer Alastair Gavin, Movement Sarah Rubidge, Voice Sheila Landahl A documentary of the site specific performance of this multimedia play on Newington Green and in the Unitarian Chapel, London N1. Featuring 3 Mary Wollstonecrafts as the film crew with the audience as extras on location shooting the biopic of Mary Wollstonecrafts life (1759-1797). F&M bring the past into the present in this local transhistorical event to create a living monument to Mary Wollstonecraft and her achievements.
  • Installing astro_nautic Torkwase Dyson & Pamela Phatsimo Sunstrum, Opening Sat Nov 7, 2009 Creative Alliance at The Patterson, Main Gallery. On view Nov 7-Dec 19. Opens Sat Nov 7, 5-7pm. Performances Thu Dec 3, 7:30pm. Free. Artists Torkwase Dyson and Pamela Phatsimo Sunstrum live fearlessly in the world as it is, in a state of becoming, where brown and black have already taken their place at the table, visual culture elides with visual metaphor, and dragons appear as domineering specters of globalized adaptation or Canadian geese as symbols of migration, searching, and ***ual longing. Dyson, Media Artist in Residence at American University, exhibits nationally and internationally, presents Here Be Dragons, a collection of wall installations, animations and sound design that are dizzying, visionary and political, as if Sun Ra and Chuck D got together with Fela Kuti to make art. Dubbing her practice The Black Eco Imagination, Dyson up-cycles bulk goods such as cotton t-shirts, solar panels, belt buckles, earring cards and plastic to address environmental reform alongside economic justice, underground economies, and black visual culture. Rooted in drawing, but ranging to installation and animation, Pamela Sunstrum charts the hero-quest of her alter-ego Asme (pronounced AZ-mee) who embodies selves that are trans-cultural, trans-historical, trans-geographical. In my skin of mirrors and clouds, Asme ventures into the underworld, where the outlines of her being are porous and unfamiliar. Sunstrum was born in Mochudi, Botswana and grew up living in Africa and ...
  • Liz And Di - Part 2 'Liz and Di' a dream play: Adapted by Anna Birch for London College of Fashion, March 2009 from the original play by Di Sherlock "I insulted her. I sent her inferior frocks." In the adaptation of Liz and Di by Di Sherlock the students at London College of Fashion and the staff team designed a mixture of performance, installation and film to examine surveillance and voyeurism from a trans-historical stand point. Was it really that different then and now? Elizabeth I had spies everywhere protecting her position as Queen and Head of the Church of England; Diana however, might have benefited from more protection but the English Royal Family, who disowned her at the time of her death despite her being the mother of the heir to the crown, thought differently. Director Anna Birch asks: 'Where does one draw the line between the public sphere and the private sphere? What does the state have a right to know? CCTV cameras everywhere! And on the front of the Guardian we read that the "World's most pervasive surveillance undermines basic liberties", says Peers. From a personal point of view the students were excited by the internal pressures described in the script for women to conform to a particular body shape or lifestyle. This voyeurism that women and increasingly men are subjected to combined with a surveillance culture created challenges for the teams designing and making the costumes, make-up and technical effects that are celebrated in this show. Welcome to the astral plane!
  • Wollstonecraft Live! 2005 - Part 1 Script Written by Kaethe Fine, Directed by Anna Birch, and produced by Fragments & Monuments, Composer Alastair Gavin, Movement Sarah Rubidge, Voice Sheila Landahl A documentary of the site specific performance of this multimedia play on Newington Green and in the Unitarian Chapel, London N1. Featuring 3 Mary Wollstonecrafts as the film crew with the audience as extras on location shooting the biopic of Mary Wollstonecrafts life (1759-1797). F&M bring the past into the present in this local transhistorical event to create a living monument to Mary Wollstonecraft and her achievements.

Blogs & Forum
blogs and forums about transhistorical

  • “Debonair blog india”
    — Debonair blog india,

  • “But it was the dark th. Spring, the fair sprin. Archives. Links. Syndicate. RSS 2.0. Atom the lifetime of a certain transhistorical Buddha there was a couple”
    — montfortsy's Blog - When the deceit was discovered, the Buddha's,

  • “Inscription and Modernity and Music of the Sirens are reviewed in the August issue of Choice magazine. Inscription and Modernity: "Explicating poetry enjoys a revival in this cross-cultural, transhistorical collection of close readings. Beginning”
    — August Choice reviews - Indiana University Press blog,

  • “{ Had the emperor understood the distinction and } October 14, 2010 "During the lifetime of a certain transhistorical Buddha there was a couple so destitute”
    — qin000va's Blog, qin000

  • “Del Toro is not so much a creator of myths as a collector of them, a transhistorical myth nerd whose pantheon of influences ranges from Hesiod to Harryhausen (with liberal helpings of steam punk and Catholic iconography)." – Dana to check out the On Faith blog panelists, where you can hear opinions”
    — The Wild Hunt " Pan's Labyrinth,

  • “A Weblog for Informal Discussion of Articles from the LYCEUM In his recent article, Internal Injuries: Some Further Concerns with Intercultural and Transhistorical Critique, Colin Wysman provides a response to my (2008) article, Is Internal Critique Possible?”
    — LYCEUMBLOG,

  • “Transhistorical connections”
    — Transhistorical connections, rallyteambornholm.dk

  • “Richard C. Francis' Why Men Won't Ask for Directions is a powerful critique of proclaim essential, "hard-wired", and transhistorical differences between men and women”
    — Why Men Won't Ask for Directions " The Pinocchio Theory,

  • “About Our Meetings And Staff. Public Meetings are held weekly for God is transnational, transcultural, even transhistorical. We admit that we are not a "”
    — About " Circle of Hope,

  • “Most comprehensive music blog aggregator - search and browse hundreds of thousands of music posts and music videos What concerns us here is a transhistorical, inter-medial, cross-disciplinary poetics of folk noir, an art of the basement tape”
    — Shake Your Fist > Elbows Music Blog Aggregator, elbo.ws

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