facelessness

Mabinogi - Generation 12 - Final - Ending - Part 7 Hello Cichol, I missed you and your facelessness. And DAMN YOU NEXON! You excluded the ***y storybook like ending the other servers had. I was waiting for that ending! Meh... at least I beat G12. Now I wait till the next one. Generation 12: Return of the Hero Completion Time: 1 Day and a half

Faceless cheat for Zwinky "No password needed" :) Hey Youtube! this is a cheat for facelessness on Zwinky! Sorry about the quality :)

Resident Evil 5 Mercenaries: The Mines - Jill Valentine (BSAA) Part 2 Facelessness~

Werckmeister Harmonies (8/16) Werckmeister harmóniák - Béla Tarr, Ágnes Hranitzky (2000) Through his long takes (there are only 39 shots in the entire 2h25m film), planned and choreographed with such precision and care, Tarr compels the audience's attention to linger on the characters as well as on the entire mise-en-scène - allowing all aspects of the film to permeate conscious and subconscious of the viewer. The actors he has chosen masterfully convey the emotion and thought processes of the characters they portray. The sparse, strangely beautiful music is a perfectly utilized element, and the rich black-and-white cinematography adds greatly to the atmosphere. This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. It is twenty degrees below zero. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighbouring settlings, from different holes of the Plain, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. The human connections are overturning, the ambitious personages of ...

Werckmeister Harmonies (14/16) Werckmeister harmóniák - Béla Tarr, Ágnes Hranitzky (2000) Through his long takes (there are only 39 shots in the entire 2h25m film), planned and choreographed with such precision and care, Tarr compels the audience's attention to linger on the characters as well as on the entire mise-en-scène - allowing all aspects of the film to permeate conscious and subconscious of the viewer. The actors he has chosen masterfully convey the emotion and thought processes of the characters they portray. The sparse, strangely beautiful music is a perfectly utilized element, and the rich black-and-white cinematography adds greatly to the atmosphere. This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. It is twenty degrees below zero. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighbouring settlings, from different holes of the Plain, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. The human connections are overturning, the ambitious personages of ...

Werckmeister Harmonies (5/16) Werckmeister harmóniák - Béla Tarr, Ágnes Hranitzky (2000) Through his long takes (there are only 39 shots in the entire 2h25m film), planned and choreographed with such precision and care, Tarr compels the audience's attention to linger on the characters as well as on the entire mise-en-scène - allowing all aspects of the film to permeate conscious and subconscious of the viewer. The actors he has chosen masterfully convey the emotion and thought processes of the characters they portray. The sparse, strangely beautiful music is a perfectly utilized element, and the rich black-and-white cinematography adds greatly to the atmosphere. This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. It is twenty degrees below zero. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighbouring settlings, from different holes of the Plain, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. The human connections are overturning, the ambitious personages of ...

Werckmeister Harmonies (4/16) Werckmeister harmóniák - Béla Tarr, Ágnes Hranitzky (2000) Through his long takes (there are only 39 shots in the entire 2h25m film), planned and choreographed with such precision and care, Tarr compels the audience's attention to linger on the characters as well as on the entire mise-en-scène - allowing all aspects of the film to permeate conscious and subconscious of the viewer. The actors he has chosen masterfully convey the emotion and thought processes of the characters they portray. The sparse, strangely beautiful music is a perfectly utilized element, and the rich black-and-white cinematography adds greatly to the atmosphere. This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. It is twenty degrees below zero. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighbouring settlings, from different holes of the Plain, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. The human connections are overturning, the ambitious personages of ...

Die Section - The Simplicity of Facelessness Die Section from the old mp3.com site on a WebTV.

Anonymous Deconstructed I didn't make this, but I found it inspiring so I'm passing it on. Anonymous is the sound of one hand slapping the face of convention. Anonymous is the face you wore before you were born. Anonymous is not a group of hackers or internet terrorists. It is not the picketing mob in front of the Scientology building. It does not reside on message boards because it resides everywhere. There are no members because everyone is a member, even the spectators to the protests who walk past and say nothing, even the members of Scientology itself. It has no opinions other than emergent consensus. It is the order that emerges from the chaos of a billion voices exchanging ideas. Anonymous is the face of facelessness. The personification of the depersonalized. The voice of those whose voices are discounted. It is contribution without ego. Works without author. Creativity without creator. Anonymous has always existed, since the first cave paintings were made and left unsigned. By divorcing authorship from con tent, anonymous is liberated from bias and its works must stand or fall on their merits. And by freeing itself from the trivialities of names, it is also free from beginings and endings. Authorless ideas can be modified, added to, expanded on, and if deemed necessary, destroyed and remade. As such, the ideas contained in this liberated content can evolve and change, and grow beyond their originators. Since the works of anonymous are owned by no-one, they are owned by everyone and ...

Werckmeister Harmonies (15/16) Werckmeister harmóniák - Béla Tarr, Ágnes Hranitzky (2000) Through his long takes (there are only 39 shots in the entire 2h25m film), planned and choreographed with such precision and care, Tarr compels the audience's attention to linger on the characters as well as on the entire mise-en-scène - allowing all aspects of the film to permeate conscious and subconscious of the viewer. The actors he has chosen masterfully convey the emotion and thought processes of the characters they portray. The sparse, strangely beautiful music is a perfectly utilized element, and the rich black-and-white cinematography adds greatly to the atmosphere. This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. It is twenty degrees below zero. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighbouring settlings, from different holes of the Plain, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. The human connections are overturning, the ambitious personages of ...

Werckmeister Harmonies (10/16) Werckmeister harmóniák - Béla Tarr, Ágnes Hranitzky (2000) Through his long takes (there are only 39 shots in the entire 2h25m film), planned and choreographed with such precision and care, Tarr compels the audience's attention to linger on the characters as well as on the entire mise-en-scène - allowing all aspects of the film to permeate conscious and subconscious of the viewer. The actors he has chosen masterfully convey the emotion and thought processes of the characters they portray. The sparse, strangely beautiful music is a perfectly utilized element, and the rich black-and-white cinematography adds greatly to the atmosphere. This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. It is twenty degrees below zero. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighbouring settlings, from different holes of the Plain, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. The human connections are overturning, the ambitious personages of ...

TOCR Week 4-7 www.theonlychildreview.com Welcome to The Only Child Review! Shinobi on the Master System still rocks hard. And, for the best time, plug in a Genesis controller. Sublime. Also, big thanks to Stevie Wonder for being the living legend that he is. The man's incredible. Clearly.

'43 Days' by Blue Angel The song 43 Days was inspired by a random knife attack, which resulted in an innocent man being killed on the 43 bus in North London in 2005. Laden with symbolic imagery and narrative subtly and subtextually, the 43 Days video is a story of lost life through death and the unborn because of death. It is a story of anonymity, facelessness and the emptiness and meaninglessness of a single life in the sprawling hustle and bustle of a metropolis. It is for all the people who have died needlessly and the fact that we know them (through the media) but don't know them at all. The traffic and the legs are about the city... impersonal, lonely, faceless... not knowing where it's going or what direction it's taking. Its about returning home from the loneliness of the city. The video is directed by Julian Bowman. The single will be released on May 3rd. For more information visit www.myspace.com Hope you like it Bella & Jake xx

Finger tapping your Mom to the brink of eternal facelessness

Action Image Exchange Action Image Exchange (AIE) are Nick Adams (23) and Nick Price (22). They met accidentally at an accommodation agency in Leicester, where both were looking for a flat prior to commencing degrees in Mineral Engineering at the local polytechnic. Action Image Exchange demonstrate their performance piece, 'The Facelessness of Bureaucracy' aka 'Shapes'. The accompanying soundtrack alternates between Swing music and the sound of wind.

Werckmeister Harmonies (9/16) Werckmeister harmóniák - Béla Tarr, Ágnes Hranitzky (2000) Through his long takes (there are only 39 shots in the entire 2h25m film), planned and choreographed with such precision and care, Tarr compels the audience's attention to linger on the characters as well as on the entire mise-en-scène - allowing all aspects of the film to permeate conscious and subconscious of the viewer. The actors he has chosen masterfully convey the emotion and thought processes of the characters they portray. The sparse, strangely beautiful music is a perfectly utilized element, and the rich black-and-white cinematography adds greatly to the atmosphere. This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. It is twenty degrees below zero. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighbouring settlings, from different holes of the Plain, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. The human connections are overturning, the ambitious personages of ...

Clutter - Free Album Art UI for iTunes Watch this demonstration of beautiful Clutter software. Clutter is available from Sprote Rsrch (www.sprote.com Clutter is free and open source. This screencast is brought to you by JayRobinson.org Thank you for viewing! Read the praise for Clutter... "I've been hoping for something like this since I ripped my first cd into iTunes. I've never thanked a programmer before, but this is such a thoughtful, elegant solution to the only drawback I've found with mp3s." "What a fantastic bit of software ... Showed a mate with a new XP laptop and he was extremely jealous!" "Freaking brilliant. I love it. You've addressed the biggest problem of putting everything into iTunes/iPod -- facelessness." "The most original and unique idea for a program I have seen in recent memory. The beauty of it is its simplicity. For some reason this makes me want to rip more CD's and listen to more music." "A few years ago I ripped all my CDs onto my hard drive and while I enjoy listening to them there was always something missing. Now I know what it was -- when I played them in the CD drive I used to prop the CD case on the desk so people who walked in would know what was playing. Now I can do it with my ripped collection as well. Thanks for a great program!" "Clutter is one of those found treasures that makes me love OS X. Thank you."

My story of facelessness :o Just random searches. And thank PrudenceProductions for iCullen! xD

Werckmeister Harmonies (2/16) Werckmeister harmóniák - Béla Tarr, Ágnes Hranitzky (2000) Through his long takes (there are only 39 shots in the entire 2h25m film), planned and choreographed with such precision and care, Tarr compels the audience's attention to linger on the characters as well as on the entire mise-en-scène - allowing all aspects of the film to permeate conscious and subconscious of the viewer. The actors he has chosen masterfully convey the emotion and thought processes of the characters they portray. The sparse, strangely beautiful music is a perfectly utilized element, and the rich black-and-white cinematography adds greatly to the atmosphere. This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. It is twenty degrees below zero. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighbouring settlings, from different holes of the Plain, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. The human connections are overturning, the ambitious personages of ...

Scientology movie banned from you The Profit The movie scientology claims has no bearing on their religion. If this guy doesnt represent L Ron Hubbard, well if you want to see the movie email me. I'll get it to you. It shows everything from e meters to excommunication to crime, brainwashing and much more. Please help me get this movie back out into circulation. I am a supressive person and I am anonymous, the legion of facelessness, Never forgive nor forget. .. Expect us

All I See - Post Rebellion, Sweet Admirer, Glittering Star Band:All I See Song: Post Rebellion, Sweet Admirer, Glittering Star Album: Once You've Fallen In Love Label: The Cybernetic Convalescence Programme (early '00s) First of all, connections fail. I dress for facelessness. Step out and fall head into the nest. You kill me with your words. You kill me with competition and standard. I am not the hour. I am not time. I am not history. I am now. The orchestra hits that same old not. The one I hate so much. Now play post rebellion, sweet admirer, glittering star. So I walk away through billboard love and stereo hype, through magic pills and suicide. Kissed with tongues like glossy magazines. So I walk away, there is no one around but eyes - not even me. Because I am what I am, what I am against. I stop and look up where people peak through holes on pedestals. This is the long self-righteous shower. Water so cold as the distance - shave away passion. I'm wondering whether they are priests or poets? Words they travel, but who cares what's behind. And yes, I tell you it was about war. All the tales told in the rebelstore. There are patches and stickers too. A cabaret starring me and you. Are we digging our own graves? Marching on the same old roads. The code, the uniform, the priest and the poet, the Zionist, the racist, the bible and the banner. Like handed down from Sinai. Post rebellion, Sweet admirer, Glittering Star

Plight of the homeless in Vancouver A new pop-up project puts the facelessness of those on our streets in focus.

Android Cartel - Facelessness (Original Mix) Label: petfood Genre: Tech House Release:31.01.2010 Sorry everybody, while uploading this video on You Tube it somehow lowered the quality. I will re-upload it as soon as i can. Peace all, enjoy music, enjoy life.

Werckmeister Harmonies (7/16) Werckmeister harmóniák - Béla Tarr, Ágnes Hranitzky (2000) Through his long takes (there are only 39 shots in the entire 2h25m film), planned and choreographed with such precision and care, Tarr compels the audience's attention to linger on the characters as well as on the entire mise-en-scène - allowing all aspects of the film to permeate conscious and subconscious of the viewer. The actors he has chosen masterfully convey the emotion and thought processes of the characters they portray. The sparse, strangely beautiful music is a perfectly utilized element, and the rich black-and-white cinematography adds greatly to the atmosphere. This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. It is twenty degrees below zero. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighbouring settlings, from different holes of the Plain, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. The human connections are overturning, the ambitious personages of ...

Werckmeister Harmonies (16/16) Werckmeister harmóniák - Béla Tarr, Ágnes Hranitzky (2000) Through his long takes (there are only 39 shots in the entire 2h25m film), planned and choreographed with such precision and care, Tarr compels the audience's attention to linger on the characters as well as on the entire mise-en-scène - allowing all aspects of the film to permeate conscious and subconscious of the viewer. The actors he has chosen masterfully convey the emotion and thought processes of the characters they portray. The sparse, strangely beautiful music is a perfectly utilized element, and the rich black-and-white cinematography adds greatly to the atmosphere. This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. It is twenty degrees below zero. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighbouring settlings, from different holes of the Plain, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. The human connections are overturning, the ambitious personages of ...

sold out in barga www.barganews.com The two artists featured this month at Barga's Casa Cordati couldn't be more different, apart from a peculiar common element in their work: faces. Or more properly, facelessness. The point is inescapable in the men and women who populate Fabrizio Da Prato's canvases. They are presented head-on, yet for the most part entirely bleached of visible identity. Keane's nuns are faceless by implication, turned decisively away from us, while the subjects of his mutande have in effect been reduced to their vacant undergarments, bodiless as well as faceless. "Faces," Da Prato says, "define a subject too quickly," and by extension, superficially. They offer a recognizable and readable "person" -- a distraction from the often more troubling persona below the surface. And it's there, below the surface of what we think we see (or want to recognize) in our collective and individual worlds, that the twenty-year collaboration between Keane and Da Prato is best understood. They are both miners of the persona, endlessly digging into the shadows.

\/\/ ERCK/\/\EISTER |-|@R/\/\0 /\/ IES 1 2000 This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighboring settlings, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. Aambitious personages of the story feel they can take advantage of this situation. The tension growing to the unbearable is brought to explosion by the figure of the Prince, who is pretending facelessness. Even his mere appearance is enough to break loose destructive emotions...

Beanie who facelessness part 2

What I did with my Free Coffee from Starbucks on Election Day Nov. 4 2008 What i did with my free coffee from starbucks wearing my Howard Dean SHiPSHAPE ROOLZ tee shirt. "Shipshape ROOLZ is a simple line of tshirts and goods. In the packed and cramped clothing market, we at Shipshape work to strive ahead with personality and heart, rather than the common facelessness. Clean designs, thorough comfort, enthusiastic packaging, and eager service are what makes Shipshape ROOLZ the alive and absolute t-shirt company." Check 'em out at shipshaperoolz.com SHiPSHAPE ROOLZ made a Howard Dean tee due to "the busy political season we find ourselves in, this is Shipshape's laugh at the trendy and monotonous Obama tshirts. I know the "byeah" Howard Dean situation happened quite some time ago, but i figured if it were to be brought back to life, now would be the time." As stated by Mike Hranica on 10/6/08 - owner of SHiPSHAPE ROOLZ clothing and vocalist of The Devil Wears Prada (band). This video was recorded on my phone

Werckmeister Harmonies (12/16) Werckmeister harmóniák - Béla Tarr, Ágnes Hranitzky (2000) Through his long takes (there are only 39 shots in the entire 2h25m film), planned and choreographed with such precision and care, Tarr compels the audience's attention to linger on the characters as well as on the entire mise-en-scène - allowing all aspects of the film to permeate conscious and subconscious of the viewer. The actors he has chosen masterfully convey the emotion and thought processes of the characters they portray. The sparse, strangely beautiful music is a perfectly utilized element, and the rich black-and-white cinematography adds greatly to the atmosphere. This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. It is twenty degrees below zero. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighbouring settlings, from different holes of the Plain, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. The human connections are overturning, the ambitious personages of ...

Faceless story time, and a loser dance party. YAAAAAAAAAAAY! That's pretty much it. Thanks for watching! Sorry for all the awkwardness, and facelessness. dailybooth: dailybooth.com twitter: twitter.com

spirits of children (poem 4 of 4) Fundamentally challenged, but be proud its like our history These Tragic mother ***ers twist the bits of startling realizations with combinations simplistic hesitations brake sensations to motivations, resting, ageing angrily laying waste here next to me probably never be seen as the tentative pictures covered these fractured tattered screens. Man please Twisted compulsions, erupts emotion, corrupts devotion, it was stolen, swollen hope, hopelessly controlling whats become and bested me. expressionless facelessness, happenstance to blow a kiss, pound these clench fists tense with shattered wrists, each poem etched in skin not quite southern, they call it Nalens, or into an the sound Kinnda like daIin, shuffling my mind down c***, hoping not to lose myself or the hotel. Streets creep raid round bo da gas itch for simple cigarettes, or something to soothe the soul. Battling the barking chills trance damp skin, cold shower, and a narrow view. Little monster is on the way. Something of a few days of trying to find the lines that lie behind what defines the means to an end, the end of wits. Broken parables of cobble stones, echoes from old poems, havent had to fight the over growth until Broken down memories of something that wasnt quite perfect to begin with like wishing that the hurricanes didnt affect people so much on Bourbon Street. String the Drink to act of god, mostly partial to most metaphors. Broken sprits of children grown out of habit and not out of care. Self ...

Werckmeister Harmonies (6/16) Werckmeister harmóniák - Béla Tarr, Ágnes Hranitzky (2000) Through his long takes (there are only 39 shots in the entire 2h25m film), planned and choreographed with such precision and care, Tarr compels the audience's attention to linger on the characters as well as on the entire mise-en-scène - allowing all aspects of the film to permeate conscious and subconscious of the viewer. The actors he has chosen masterfully convey the emotion and thought processes of the characters they portray. The sparse, strangely beautiful music is a perfectly utilized element, and the rich black-and-white cinematography adds greatly to the atmosphere. This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. It is twenty degrees below zero. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighbouring settlings, from different holes of the Plain, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. The human connections are overturning, the ambitious personages of ...

Werckmeister Harmonies (13/16) Werckmeister harmóniák - Béla Tarr, Ágnes Hranitzky (2000) Through his long takes (there are only 39 shots in the entire 2h25m film), planned and choreographed with such precision and care, Tarr compels the audience's attention to linger on the characters as well as on the entire mise-en-scène - allowing all aspects of the film to permeate conscious and subconscious of the viewer. The actors he has chosen masterfully convey the emotion and thought processes of the characters they portray. The sparse, strangely beautiful music is a perfectly utilized element, and the rich black-and-white cinematography adds greatly to the atmosphere. This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. It is twenty degrees below zero. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighbouring settlings, from different holes of the Plain, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. The human connections are overturning, the ambitious personages of ...

beanie who facelessness part 4

how to be facless on zwinky facelessness

Werckmeister Harmonies (11/16) Werckmeister harmóniák - Béla Tarr, Ágnes Hranitzky (2000) Through his long takes (there are only 39 shots in the entire 2h25m film), planned and choreographed with such precision and care, Tarr compels the audience's attention to linger on the characters as well as on the entire mise-en-scène - allowing all aspects of the film to permeate conscious and subconscious of the viewer. The actors he has chosen masterfully convey the emotion and thought processes of the characters they portray. The sparse, strangely beautiful music is a perfectly utilized element, and the rich black-and-white cinematography adds greatly to the atmosphere. This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. It is twenty degrees below zero. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighbouring settlings, from different holes of the Plain, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. The human connections are overturning, the ambitious personages of ...

Werckmeister Harmonies (3/16) Werckmeister harmóniák - Béla Tarr, Ágnes Hranitzky (2000) Through his long takes (there are only 39 shots in the entire 2h25m film), planned and choreographed with such precision and care, Tarr compels the audience's attention to linger on the characters as well as on the entire mise-en-scène - allowing all aspects of the film to permeate conscious and subconscious of the viewer. The actors he has chosen masterfully convey the emotion and thought processes of the characters they portray. The sparse, strangely beautiful music is a perfectly utilized element, and the rich black-and-white cinematography adds greatly to the atmosphere. This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. It is twenty degrees below zero. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighbouring settlings, from different holes of the Plain, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. The human connections are overturning, the ambitious personages of ...

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Womantrees Dancing to Perfume de Gardenias: Paintings by Mitzi Linn & Music by Lila Downs Womantrees dancing is a spiritual feminist idea of woman as the Tree of Life. She is dancing with the wind, with life experiences, with cyclical existence. Her facelessness makes her everywoman and a Goddess ie an archetypal being.