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  • Contralto Elizabeth Anker's wide repertoire spans from medieval chant to contemporary pieces written for her unique voice. Contralto Elizabeth Anker's wide repertoire spans the medieval work of Hildegard von. — “Elizabeth Anker, Contralto - Biography”,
  • Accompaniment CD Recordings and Sheet Music Books | Music Minus One : Vocal - Contralto - Music New Releases,Piano,Guitar,Banjo,Double Bass,Bassoon,Clarinet,Flute,French Horn,Harp,Oboe,Trombone,Trumpet,Tuba,Violin,Viola,Violoncello,Recorder,Vocal. — “Vocal - Contralto : Accompaniment CD Recordings and Sheet”,
  • Definition of contralto in the Online Dictionary. Meaning of contralto. Pronunciation of contralto. Translations of contralto. contralto synonyms, contralto antonyms. Information about contralto in the free online English dictionary and. — “contralto - definition of contralto by the Free Online”,
  • Sheet Music with Backing/Rehearsal CD for Contralto Voices - repertoire for singers at . — “Sheet Music with Backing/Rehearsal CD for Contralto Voices”,
  • Contralto is the deepest female classical singing voice,[1] with the lowest tessitura,[2] falling between tenor and mezzo-soprano. "Contralto" is meaningful only in reference to classical and operatic singing, as other genres lack a system of vocal categorization comparable to. — “Contralto - Wikipedia, the free encyclopedia”,
  • A contralto is a type of classical female singing voice with a vocal range between a tenor and a mezzo The typical contralto range lies between the F below middle C (F3) to two Gs above middle C (G5).[1] In the lower and upper extremes, some contralto voices can sing from the E below middle. — “Contralto - Reference”,
  • Giulia Utz, Contralto New Brunswick Chamber Orchestra Mark Trautman, Director Watch the latest Contralto videos, music videos, video interviews, live music sessions, music news and bands onstage around the globe. — “He Was Despised, from Handel's Messiah | Video Youtube”,
  • Definition of contralto from Webster's New World College Dictionary. Meaning of contralto. Pronunciation of contralto. Definition of the word contralto. Origin of the word contralto. — “contralto - Definition of contralto at ”,
  • Contralto definition, the lowest female voice or voice part, intermediate between soprano and tenor. See more. — “Contralto | Define Contralto at ”,
  • Emma Curtis, contralto This versatile contralto specializes in Baroque repertoire, but can also be heard in operas including: Schoenberg's Moses und Aron, and Janacek's Makropulos Case. — “Emma Curtis, Contralto”,
  • We found 33 dictionaries with English definitions that include the word contralto: Click on the first link on a line below to go directly to a page where "contralto" is defined. General (28 matching dictionaries) contralto: Compact Oxford English Dictionary [home, info]. — “Definitions of contralto - OneLook Dictionary Search”,
  • How often have you attended a concert and felt the excitement of the audience, as a real Contralto was about to take the stage? Due to the rareness of the voice type, more often than not, Mezzos or Counter Tenors cross over into the Contralto repertoire. — “Training the Contralto Voice”,
  • Karen Clark, contralto, performs Hildegard von Bingen. Karen Clark, contralto, sings a moving rendition of Hildegard von Bingen's antiphon "O Virtus Sapientie." Karen performed this (with Kronos quartet's Hank Dutt,) as part of the 'Stanzas for Music' concert in San Francisco. — “contralto - Zoki Videos”,
  • contralto (kuntrăl'tō) [key], female voice of lowest pitch. More on contralto from Infoplease: contralto: meaning and definitions - contralto: Definition and Pronunciation. Suggestions for spelling of encyclopedia/contralto - The Infoplease spelling checker combines spelling help with our. — “contralto — ”,
  • The alto range, which is below soprano, is really an easy combination of the mezzo-soprano range and the contralto range; the mezzo-soprano is the medium female voice and therefore the higher of the two. The contralto voice is a pretty rare voice. — “Urban Dictionary: contralto”,
  • Contralto. Learn about Contralto on . Get information and videos on Contralto including articles on mezzo soprano, anita baker, george handel and more!. — “Contralto | Answerbag”,
  • The typical contralto range lies between the F below middle C (F3) to the the second F (F5) above middle C Although the contralto voice has the lowest tessitura of the female voices, it should be noted that in current operatic practice, female singers with very low vocal. — “Contralto”,
  • In the lower and upper extremes, some contralto voices can sing from the E below middle C (E3) to two Bs above middle C (B5).[1] The contralto voice has the lowest tessitura of the female voices and is noted for its rich and deep vocal timbre. — “Contralto, choral music, biography. discography. repertoire”, .ar
  • contralto (plural contraltos or contralti) (music) the lowest female voice or voice part, The terms contralto and alto refer to a similar musical pitch, but. — “contralto - Wiktionary”,
  • Contralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. "Contralto" is meaningful only in reference to classical and operatic singing, as other genres lack a system of vocal categorization comparable to. — “Contralto”,
  • contralto - refers to the lower-register female voice also known as the alto female voice One of the most famous female alto singers (contralto) of the past is the British singer Kathleen Ferrier. — “Alto - The Voice As A Music Instrument”,
  • contralto n. Music , pl. , -tos . ( Abbr. contr. ) The lowest female voice or voice part, intermediate in range between soprano and tenor In early opera, the contralto range was used primarily for the representation of comic old women; later, it was favoured for female roles of tragic. — “contralto: Definition, Synonyms from ”,

Videos
related videos for contralto

  • Contralto Eula Beal sings Bach's "Erbarme Dich" Contralto Contralto Eula Beal sings Bach's "Erbarme Dich" as "Lord Have Mercy on Me" from the St. Matthew Passion, conducted by Antal Dorati and with Yehudi Menuhin playing the violin solos
  • Contralto Janet SPENCER ~ BOLERO (1911) (Arditi) / Recorded: 1911 / Speed: 76 rpm **************************** American contralto Janet Spencer had a successful career in concert and oratorio. Born in Boston, Massachusetts, she made her debut at the age of 16 when she appeared with the Boston Festival Orchestra, touring later throughout the United States and Europe. She was an intimate friend of Geraldine Farrar, encouraging Miss Farrar in her Met career. In her later years she gave voice lessons in Hollywood, California, where she died in 1948 at the age of 74. **************************** THE NEW YORK TIMES, 04 November 1910 MISS SPENCER'S RECITAL / Admirable Singing of Interesting Songs in Mendelssohn Hall Few singers now before this public have developed their art so rapidly and in so many of its exacting phases as Miss Janet Spencer, contralto, who gave a song recital yesterday afternoon at Mendelssohn Hall. It was an occasion that offered an altogether unusual pleasure on account both of the interesting program of songs and of the truly remarkable skill, versatility and fine artistic power with which she sang them. Miss Spencer's admirable contralto voice has been well known in New York concert halls for a number of years now, where it has been heard chiefly in oratorios. In turning her attention to songs she has penetrated deeply into a form of art that is in certain respects more subtle and more difficult. Miss Spencer's voice is well remembered as a peculiarly rich contralto which she uses with freedom ...
  • British Contralto Clara Butt ~ Land of Hope and Glory (1930) British contralto Clara Butt (1872-1936) / Land of Hope and Glory (Benson/Elgar) / Recorded: June 25, 1930 -- ITEM: (BLASTING) There are moments when the 1930 technology is clearly on overload. I've yet to hear a copy of this recording that isn't marred by both near and out-and-out blasting. CLARA BUTT (via wikipedia) Clara Butt was born in Southwick, Sus***. Her father was Henry Albert Butt who was a sea captain and who was born in 1848 in Saint Martin, Jersey, Channel Islands. He married Clara Hook in 1869, who was born in Shoreham, the daughter of Joseph Hook, mariner (1861 and 1871 census, in 1881 in New Shoreham workhouse). In 1880 the family moved to Bristol and Clara was educated at South Bristol High School, where her singing talent was recognised and encouraged. At the request of her headmistress, she was trained by the bass Daniel Rootham and joined the Bristol Festival Chorus, of which he was musical director. In January 1890 she won a scholarship to the Royal College of Music. In her fourth year she spent three months studying in Paris at the expense of Queen Victoria. She also studied in Berlin and Italy. She made her professional début at the Royal Albert Hall in London in Sir Arthur Sullivans The Golden Legend on December 7, 1892. Three days later she appeared as Orfeo in Glucks Orfeo ed Euridice at the Lyceum Theatre. Bernard Shaw wrote in The World that she far surpassed the utmost expectations that could reasonably be entertained (December 14, 1892). She ...
  • Contralto Janet SPENCER ~ The White Dawn is Stealing (1911) Contralto Janet Spencer / Four American Indian Songs (Eberhart; Cadman) / Recorded: April 25, 1911 **************************** American contralto Janet Spencer had a successful career in concert and oratorio. Born in Boston, Massachusetts, she made her debut at the age of 16 when she appeared with the Boston Festival Orchestra, touring later throughout the United States and Europe. She was an intimate friend of Geraldine Farrar, encouraging Miss Farrar in her Met career. In her later years she gave voice lessons in Hollywood, California, where she died in 1948 at the age of 74. ******************************
  • British Contralto Carmen Hill ~ The Green Hills o' Somerset (1913) British Contralto Carmen Hill (1883-?) / The Green Hills o' Somerset (Eric Coates) / Recorded: 1913) -- THE GREEN HILLS 'O SOMERSET (Eric Coates) Oh the green hills o' Somerset Go rolling to the shore; `Twas there we said that we'd get wed, When spring came round once more. `Twas there we kissed and said goodbye Beside the kirkyard wall, And the song the blackbird sang to us Was the sweetest song of all. Green hills o' Somerset! Green hills o' Somerset! When shall we walk by you, Green hills, once more! Oh the green hills o' Somerset Go rolling to the sea, And still today the violets Are blooming there for me. The shadows kiss the waving grass, Beside the kirkyard wall, But the song the blackbird sings to me Is the saddest song of all. Green hills o' Somerset! Green hills o' Somerset! No more we'll walk by you, Green hills, once more! ****************************** The Record of Singing by Michael Scott (Holmes & Meier Publishers, Inc. - 1979) We need to look no further than one of her many records to find an eloquent advocate for the inclusion of Carmen Hill (1883---) in these pages. Born in Aberdeen, Scotland, she came to London to study with Frederick King at the Royal Academy of Music. Her first important engagement was as a supporting artist to Emma Albani on one of the diva's, as it seemed, endless tours in search of solvency after the ravages her fortune sustained as a result of the financial adventures of her husband. Hill ventured on stage only once, in Beecham's ...
  • Sonia Prina Contralto - Handel Opera : Lotario - Handel Contralto: Sonia Prina
  • Karen Clark, contralto, performs Hildegard von Bingen by Triple Spiral Productions Karen Clark, contralto, sings a moving rendition of Hildegard von Bingen's antiphon "O Virtus Sapientie." Karen performed this (with Kronos quartet's Hank Dutt,) as part of the 'Stanzas for Music' concert in San Francisco. Karen can be contacted at . Video by Triple Spiral productions. Triple Spiral Productions can be contacted at (c) 2009 Triple Spiral Productions, all rights reserved.
  • Contralto Sophie BRASLAU ~ Gershwin ~ THE MAN I LOVE (1928) American Contralto Sophie Braslau (1892-1935) / The Man I Love / (Gershwin & Gershwin) / Recorded: 1928 (thanks again to friend in Atlanta for year of recording) / Speed: 78 rpm
  • 100 Greatest Singers: ALFRED DELLER THIS PROJECT IS RESERVED ONLY FOR THE GREATEST! To find Alfred Deller in this list, what´s your opinion? Please let us know! Alfred Deller, Countertenor (1912-1979) Greensleeves (Old english folksong) My personal opinion: At times, the world of great voices gave us singers you can´t rate with usual standards. One example was german tenor Karl Erb (1877-1958) who kept a boy-like voice his whole life, another one was Peter Pears (1910-1986). Can you image these tenors in conventional operatic-roles on stage? Or dutch contralto Aafjee Heynis (born 1924), Agnes Giebel (born 1921) and Dame Clara Butt (1872-1936), three singers who made their careers only on the concert stage. Out of every standard even the bizarre sound-documents of the last castrato Alessandro Moreschi (1858-1922). In the late eigh***th century the operatic taste changed and the end for castrati came. It is stated, that the success of heroic tenor Gilbert Duprez finished the castrato-era. From now on their roles were sung by sopranos, contraltos or tenors in transpositions. But it was far from authenticity. A remedy was given with the english tradition of countertenors, which we find for the first time in polyphonic compositions of the late four***th and early fif***th century. Throughout the nine***th century, it was only in the tradition of all-male cathedral choirs that the countertenor voice had survived, but the last century saw a revival and a member in the choirs of Canterbury and St. Paul´s ...
  • "Ganymed" by Franz Schubert, Susan Sevier (Contralto), Cheryl Branham (Piano), February 24, 2008 Recital performance at Calvary Baptist Church, Washington, DC; February 24, 2008
  • Spring Break Nationals 2011 Part 1 - Sbn 2011 Exo Contralto - Johnathan Price The first part of many videos from spring break nationals 2011 in Daytona Beach Florida
  • Bach: St. John Passion - 11. To release me from the prison (contralto aria) # Performer: Martin Gatt, Kenneth Heath, Adrian Beers, Norman Knight, Richard Adeney, et al. # Orchestra: English Chamber Orchestra # Conductor: Benjamin Britten # Composer: Johann Sebastian Bach Contralto: Alfreda Hodgson To release me from this prison of my transgression now my Saviour is bound. From the scars of guilt's infection, healing protection we can find in his wounds.
  • Contralto Dorothy HORTON ~ His Eye Is On The Sparrow (1975) Dorothy Monson Horton (1926-2008) / His Eye Is On The Sparrow (lyricist Civilla D. Martin & composer Charles H. Gabriel) / Recorded May 18, 1975 during a live performance at DAR Constitution Hall, Washington, DC. DOROTHY MONSON HORTON, a church soloist whose appearance sparked racial controversy at a Washington, DC church in 1965. After arriving in the Washington area in 1954, Mrs. Horton was a featured soloist at many large churches, including Asbury United Methodist Church, St. John's Episcopal Church and St. Paul's Episcopal Church, all in the District. She also performed with the Camarata Chorus and the Evelyn White Chorale. In 1965, Mrs. Horton, who was African American, was engaged as a substitute soloist at the predominantly white Metropolitan Memorial United Methodist Church in Northwest Washington. When the church pastor, Edward G. Latch, barred her from singing with the choir, he was denounced by the church's district superintendent. Mrs. Horton refused to sing at the church until Latch apologized. On November 21, 1965, after the pastor's apology, she appeared at the church and performed a solo in a work by Beethoven. "Several members of the congregation came down to the choir room afterward to say they were glad she sang," a Washington Post article noted. Latch, who later became chaplain of the US House of Representatives, preached a sermon on sin and forgiveness, saying, "We are all sinners. We have all fallen short of the glory of God." Mrs. Horton was born ...
  • Karen Clark, Contralto, performs Brahm's "Geistliches Wiegenlied" Karen Clark, Contralto, performs Brahm's "Geistliches Wiegenlied" with Kronos Quartet's Hank Dutt and pianist, Marilyn Thompson. Old First Church Concerts, San Francisco, April 2009. Brought to you by Triple Spiral Productions, Northern California. Triple Spiral Productions can be contacted at (c) 2009 Triple Spiral Productions, all rights reserved.
  • Ewa Podleś: Venti turbini Ewa Podleś sings "Venti turbini" from the opera, Rinaldo, by George Frideric Handel (HWV 7). Conductor: Constantine Orbelian Orchestra: Moscow Chamber Orchestra
  • American Contralto Eleanora De Cisneros ~ Ah, quel giorno (1913) Amercian contralto Eleanora De Cisneros (1878-1934) / Ah, quel giorno / Semiramede (Rossini) / Recorded: 1913 -- Originally Eleanora Broadfoot (b. Nov. 1, 1878, New York; d. Feb. 3, 1934, New York), she studied with Mme. Murio-Celli in New York. During her studies she was discovered by Jean De Reszke, who brought her to the attention of the Metropolitan Opera; she made her debut there (1900) as Rossweisse in Die Walkure. In 1901 she married the Cuban count Francesco de Cisneros, and from that time on she appeared under that name. In 1901 she went to Europe for further study with Jean De Reszke and Victor Maurel in Paris and with Trabadello and Lombadri in Milan. In 1902 she appeared in Turin and had a starring career for the next twelve years at the largest Italian theaters. She sang at La Scala in 1906 in the world premiere of La Figlia di Jorio, and in 1908 in the first performance of Elektra and Queen of Spades. She was a guest in Lisbon, Paris, Vienna, Madrid, Barcelona, Antwerp, St. Petersburg, and regularly in London (1903-08). From 1906-11 she was the principal contralto at the Manhattan Opera; she then sang with the Philadelphia-Chicago Company and until 1916 with the Chicago Opera. In 1914 she sang Brangane in Tristan und Isolde at the Theatre des Champs-Elysees. In 1915 she toured Cuba, Australia, and New Zealand. In 1925 she appeared occasionally at La Scala as Herodias in Salome and lived until 1929 in Paris. Thereafter she became a singIng teacher in New York ...
  • Prélude, Cadence et Finale (A. Desenclos) - sax contralto e pianoforte Alto sax: Thasala Piano: Andrea Facchi
  • Leyla Gencer - Assoluta - from Lyric Colorature to Contralto Leyla Gencer, one of the greatest sopranos of all time. She had a voice of all three female voice types to a degree including agility of a colorature. Enjoy the most underrated assoluta singer of the 20th century... Assoluta soprano(soprano sfogato): By definition, the soprano sfogato is linked to the mezzo/contralto. It possesses a dark timbre with a rich and strong low register, as well the high notes of a soprano and occasionally a coloratura soprano. Those voices are typically strong, dramatic and agile, supported by an excellent bel canto technique and an ability to sing in the soprano tessitura as well as in the contralto tessitura with great ease, such as was said of Giuditta Pasta.
  • Ralph Vaughan Williams - Magnificat, for contralto, solo flute, female choir and orchestra (1/2) Ralph Vaughan Williams (1872-1958) Magnificat in A for contralto, solo flute, female choir and orchestra (1932) Helen Watts, contraltalto Ambrosian Singers Christopher Hyde-Smith, flute Orchestra Nova of London/Meredith Davies "When Gustav Holst died in 1934, Vaughan Williams lost his greatest friend. He missed Holst for the rest of his life and, in my opinion, invoked his spirit in several works of the 1930s and 1940s. This is one, written in 1932. It looks back to the Holst of The Hymn of Jesus - spare, concerned with both the otherness and timelessness of the religious past. For contralto, solo flute (appearing as the Holy Ghost), women's choir, and orchestra. The work has made it to recording very rarely, the Hyperion recording seems to be the only one currently in print." -- Steve Schwartz
  • Contralto Contains samples from: Enjoy ^_^
  • Ewa Podles' Cara Sposa (sung in the low key) Cara sposa sung in the low key by one of the greatest singers of all times, Ewa Podles At 8:52 a fabulous cadenza at the end of which (9:12) her miraculous sigh/gasp falls upon the cemballo cords in a truly Divine moment
  • American Contralto Sophie Braslau ~ Elli, Elli (1927) By request from "opertutto" / American contralto Sophie Braslau (1892-1935) / Elli, Elli... lama sabachthani (Father, why hast Thou forsaken me?) / Psalms ~ Jacob K. Sandler, arranged by M. Schalit / Recorded: September 26, 1927 -- Sophie Braslau (b. August 16, 1892, New York - d. December 22, 1935, New York) was the daughter of Russian scholar Abel Braslau. After studying piano she studied with Buzzi-Peccia, Sibella, Herbert Witherspoon, Marafioti, and finally with Marcella Sembrich. She made her debut at the Metropolitan Opera (1914), singing the Voice from on High in Parsifal. From 1914 to 1920 she was very successful at the Metropolitan where she sang among other roles in the world premieres of Mme. Sans-Gene (1915) and Shanewis (1918). In 1918 she sang at Ravinia, near Chicago. After 1920 she had a great career as a concert artist. In 1930-31 she appeared a few times at the Philadelphia Opera as Carmen and as Marina in Boris Godounov. She had a heavy, dark-timbered voice of great impressiveness. Of her very early career she once recalled having to substitute for Louise Homer at the Richmond, Virginia, Festival, where in her first public appearance she achieved a triumph, as she had the previous afternoon during the dress rehearsal. After singing the final note to her first number, "Che far senza Euridice" with orchestra: "at first there came dead silence, quickly followed by the strangest sound I had ever heard. The musicians tapped their music stands with their bows ...
  • American Contralto Claramae Turner ~ Mon cœur s'ouvre à ta voix (1950) American contralto Claramae Turner (1920--) / Mon cœur s'ouvre à ta voix / Samson et Dalila (Saint- Saëns) / Recorded: 1950 / Special Thanks and Good Cheer to "operamark1" for suggesting and providing the sound file -- Claramae Turner (born October 28, 1920) is an American opera singer. She was made very famous by singing the song "You'll Never Walk Alone" in the musical Carousel. Born in Dinuba, California, she was a contralto with the Metropolitan Opera during the late 1940's and early 1950's, and also sang with the New York City Opera. She created the role of Madame Flora in Gian Carlo Menotti's The Medium, reprising it in an episode of Omnibus on television. She also recorded the role of Ma Moss in Aaron Copland's The Tender Land (opposite Joy Clements and Norman Treigle), and one of her roles at the Met was that of Gertrud in an English version of Engelbert Humperdinck's opera Hänsel und Gretel, starring Risë Stevens and Nadine Conner. This performance was one of the first Metropolitan Opera record albums of a complete opera ever released (by Columbia Masterworks Records). Miss Turner reprised the role on television in an installment of "NBC Television Opera Theatre". All of these early television appearances were live, not done on film or videotape.Turner also sang the role of the Nurse in the Met's famous 1946 production of Charles Gounod's Roméo et Juliette, starring Jussi Björling and Bidu Sayão. On radio, she sang the role of Ulrica in conductor Arturo ...
  • British Contralto Clara Butt ~ Ombra mai fu (1917) British contralto Clara Butt (1872-1936) / Ombra mai fu / Serse (Handel) / Recorded: 1917 -- CLARA BUTT (via wikipedia) Clara Butt was born in Southwick, Sus***. Her father was Henry Albert Butt who was a sea captain and who was born in 1848 in Saint Martin, Jersey, Channel Islands. He married Clara Hook in 1869, who was born in Shoreham, the daughter of Joseph Hook, mariner (1861 and 1871 census, in 1881 in New Shoreham workhouse). In 1880 the family moved to Bristol and Clara was educated at South Bristol High School, where her singing talent was recognised and encouraged. At the request of her headmistress, she was trained by the bass Daniel Rootham and joined the Bristol Festival Chorus, of which he was musical director. In January 1890 she won a scholarship to the Royal College of Music. In her fourth year she spent three months studying in Paris at the expense of Queen Victoria. She also studied in Berlin and Italy. She made her professional début at the Royal Albert Hall in London in Sir Arthur Sullivans The Golden Legend on December 7, 1892. Three days later she appeared as Orfeo in Glucks Orfeo ed Euridice at the Lyceum Theatre. Bernard Shaw wrote in The World that she far surpassed the utmost expectations that could reasonably be entertained (December 14, 1892). She returned to Paris and made further studies with Jacques Bouhy (the teacher of Louise Homer and Louise Kirkby Lunn) and later with the soprano Etelka Gerster in Berlin. Camille Saint-Saëns wanted her ...
  • Marian Anderson & William Primrose - Brahms: 2 Songs for Contralto, Viola & Piano 1. Gestillte Sehnsucht 2. Geistliches Wiegenlied Pianist: Franz Rupp
  • YODELING operatic contralto - SCHUMANN-HEINK - Millocker A PARTY RECORD for your opera buddies! Schumann-Heink lets down her hair to yodel! Ernestine Schumann-Heink (1861-1936) sings a little-known Alpine YODELING song by Millocker, "I und mei Bua," recorded for Victor Sept. 29, 1908. One wonders when and why Schumann-Heink learned to yodel...and whether she had 2nd thoughts about having recorded this gem, as it didn't remain in the Victor catalog all that long. Shumann-Heink was born as Tini Rössler to a German-speaking family in the town of Lieben, near Prague, now in the Czech Republic but then part of the Austrian Empire. Her father Hans Rössler was a shoemaker. The family moved to Graz when Tini was thir***. Here she met Marietta von LeClair, a retired opera singer who agreed to give her voice lessons. In 1877 she made her first professional performance, in Beethoven's Ninth Symphony in Graz. Tini made her operatic debut at Dresden's Royal Opera House on October 15, 1878 as Azucena in Il Trovatore—at age 17. The photo in the video, showing the THIN young contralto, was taken when she was 18, in 1879. In 1882 she married Ernest Heink, secretary of the Dresden Opera, with whom she had four children; this violated the terms of their contracts, and both were abruptly terminated from their positions. Heink took a job at the local customs house and was soon transferred to Hamburg. Ernestine remained in Dresden to pursue her career, and eventually rejoined her husband when she secured a position at the Hamburg Opera. Ernest ...
  • Contralto Eula Beal sings "None but the lonely heart" Contralto Eula Beal sings Tchaikovsky's "None but the loney heart", accompanied by Marguerite Campbell
  • French Contralto Jeanne Gerville-Réache ~ Va! laisse couler mes larmes (1909) French contralto Jeanne Gerville-Réache (1882-1915) / Va! laisse couler mes larmes / Werther (Massenet) / Recorded: April 29, 1909 -- French contralto Jeanne Gerville-Réach (born March 26, 1882, Orthez, France - died January 15, 1915, New York). Her father was governor of Martinique and Guadaloupe and she came to Paris when she was 15 to study singing with Rosine Laborde. Through the intercession of Emma Calve, he was able to finish her studies with Pauline Viardot-Garcia. In 1899 she had a successful debut at the Opera-Comique in the title role of Orphee et Eurydice, and on April 30, 1902 she created the role of Genevieve in Pelleas et Melisande there. In 1901 she made guest appearances at the Brussels Opera and in 1905 at Covent Garden. In 1907 she came to the Manhattan Opera. Thereafter she was uncommonly successful in the United States. She also sang in Boston and Philadelphia, Chicago and Montreal. In 1910 she married the director of the Pasteur Institute in New York, Georges Ribier Rambaud. She had a sumptuous, warm-timbered contralto voice of great dynamic quality. She died at the early age of 32 from food poisoning in New York City, leaving behind her husband and two sons. She has a great-great grandson and granddaughter living in America. (Sources: Kutsch & Riemens Concise Biographical Dictionary of Singers / Chilton Book Company / 1969; wikipedia) ******************************
  • Somewhere Over The Rainbow - Judy Garland *NO COPYRIGHT INFRINGEMENT INTENDED IN UPLOADING THIS VIDEO. Judy Garland (born Frances Ethel Gumm, June 10, 1922 June 22, 1969) was an American actress and singer. Through a career that spanned 45 of her 47 years, Garland attained international stardom as an actress in musical and dramatic roles, as a recording artist and on the concert stage. Respected for her versatility, she received a Juvenile Academy Award, won a Golden Globe Award, received the Cecil B. DeMille Award for her work in films, as well as Grammy Awards and a Tony Award. She had a contralto singing range.[1] After appearing in vaudeville with her sisters, Garland was signed to Metro-Goldwyn-Mayer as a ***ager. There she made more than two dozen films, including nine with Mickey Rooney, and the film with which she would be most identified, The Wizard of Oz (1939). After 15 years, Garland was released from the studio but gained renewed success through record-breaking concert appearances, including a critically acclaimed Carnegie Hall concert, a well-regarded but short-lived television series and a return to film acting beginning with A Star Is Born (1954). Despite her professional triumphs, Garland battled personal problems throughout her life. Insecure about her appearance, her feelings were compounded by film executives who told her she was unattractive and overweight. Plied with drugs to control her weight and increase her productivity, Garland endured a decades-long struggle with addiction. Garland ...
  • French Contralto Jeanne Gerville-Réache ~ Chanson du Tigre (1911) French contralto Jeanne Gerville-Réache (1882-1915) / Parmes les lianes au fond des savanes ~ Chanson du tigre / Paul et Virginie (Masse) / Recorded: May 5, 1911 -- French contralto Jeanne Gerville-Réach (born March 26, 1882, Orthez, France - died January 15, 1915, New York). Her father was governor of Martinique and Guadaloupe and she came to Paris when she was 15 to study singing with Rosine Laborde. Through the intercession of Emma Calve, he was able to finish her studies with Pauline Viardot-Garcia. In 1899 she had a successful debut at the Opera-Comique in the title role of Orphee et Eurydice, and on April 30, 1902 she created the role of Genevieve in Pelleas et Melisande there. In 1901 she made guest appearances at the Brussels Opera and in 1905 at Covent Garden. In 1907 she came to the Manhattan Opera. Thereafter she was uncommonly successful in the United States. She also sang in Boston and Philadelphia, Chicago and Montreal. In 1910 she married the director of the Pasteur Institute in New York, Georges Ribier Rambaud. She had a sumptuous, warm-timbered contralto voice of great dynamic quality. She died at the early age of 32 from food poisoning in New York City, leaving behind her husband and two sons. She has a great-great grandson and granddaughter living in America. (Sources: Kutsch & Riemens Concise Biographical Dictionary of Singers / Chilton Book Company / 1969; wikipedia) ******************************
  • French Contralto Jeanne Gerville-Réache ~ Samson et Dalila (1909 & 1913) French contralto Jeanne Gerville-Reache (1882-1915) / Samson et Dalila (Saint-Saens) / Printemps qui commence / Recorded: April 12, 1909 / Mon coeur s'ouvre a ta voix / Recorded: December 1, 1913 -- French contralto Jeanne Gerville-Réach (born March 26, 1882, Orthez, France - died January 15, 1915, New York). Her father was governor of Martinique and Guadaloupe and she came to Paris when she was 15 to study singing with Rosine Laborde. Through the intercession of Emma Calve, he was able to finish her studies with Pauline Viardot-Garcia. In 1899 she had a successful debut at the Opera-Comique in the title role of Orphee et Eurydice, and on April 30, 1902 she created the role of Genevieve in Pelleas et Melisande there. In 1901 she made guest appearances at the Brussels Opera and in 1905 at Covent Garden. In 1907 she came to the Manhattan Opera. Thereafter she was uncommonly successful in the United States. She also sang in Boston and Philadelphia, Chicago and Montreal. In 1910 she married the director of the Pasteur Institute in New York, Georges Ribier Rambaud. She had a sumptuous, warm-timbered contralto voice of great dynamic quality. She died at the early age of 32 from food poisoning in New York City, leaving behind her husband and two sons. She has a great-great grandson and granddaughter living in America. (Sources: Kutsch & Riemens Concise Biographical Dictionary of Singers / Chilton Book Company / 1969; wikipedia) ******************************
  • coloratura contralto - SCHUMANN-HEINK -- Arditi ditty - 1907 Ernestine Schumann-Heink (1861-1936) sings Luigi Arditi's "Leggero Invisible." Lest anyone think that a contralto who devoted most of her career to heavy roles in Wagner couldn't shed her Rhein Maiden garb and take to the boards to sing an Arditi coloratura ditty, MAGNIFICANTLY, listen carefully to this recording. Schumann-Heink often included it in her concerts. She recorded it twice---on July 24, 1907--and again about 20 years later as an electric Victor Orthophonic. Shumann-Heink was born as Tini Rössler to a German-speaking family in the town of Lieben, near Prague, now in the Czech Republic but then part of the Austrian Empire. Her father Hans Rössler was a shoemaker. The family moved to Graz when Tini was thir***. Here she met Marietta von LeClair, a retired opera singer, who agreed to give her voice lessons. In 1877 she made her first professional performance, in Beethoven's Ninth Symphony in Graz. Tini made her operatic debut at Dresden's Royal Opera House on October 15, 1878 as Azucena in Il Trovatore—at age 17. The photo in the video, showing the THIN young contralto, was taken when she was 18, in 1879. In 1882 she married Ernest Heink, secretary of the Dresden Opera, with whom she had four children; this violated the terms of their contracts, and both were abruptly terminated from their positions. Heink took a job at the local customs house and was soon transferred to Hamburg. Ernestine remained in Dresden to pursue her career, and eventually rejoined her ...
  • Exo Contralto's Demo of the Hummer @ SBN 2K11 "Loudest system I've heard" Tracked down Exo at the show and just HAD to hit him all the way. (8) DC Audio Level 5 15's (4) American Bass 500.1's Sundown Sax 100.4 amp (2) Crescendo 1000c4 amps (16) Crescendo Audio CCX 6.5s, (16) Crescendo Audio CCX Tweeters (4) 8" Beyma Midrange (2) Singer Alternators (14) Kinetik HC16V Batteries
  • French Contralto Jeanne Gerville-Réache ~ D'une Prison (1911) French contralto Jeanne Gerville-Réache (1882-1915) / D'une Prison (Verlaine; Hahn) / Recorded: May 5, 1911 -- French contralto Jeanne Gerville-Réach (born March 26, 1882, Orthez, France - died January 15, 1915, New York). Her father was governor of Martinique and Guadaloupe and she came to Paris when she was 15 to study singing with Rosine Laborde. Through the intercession of Emma Calve, he was able to finish her studies with Pauline Viardot-Garcia. In 1899 she had a successful debut at the Opera-Comique in the title role of Orphee et Eurydice, and on April 30, 1902 she created the role of Genevieve in Pelleas et Melisande there. In 1901 she made guest appearances at the Brussels Opera and in 1905 at Covent Garden. In 1907 she came to the Manhattan Opera. Thereafter she was uncommonly successful in the United States. She also sang in Boston and Philadelphia, Chicago and Montreal. In 1910 she married the director of the Pasteur Institute in New York, Georges Ribier Rambaud. She had a sumptuous, warm-timbered contralto voice of great dynamic quality. She died at the early age of 32 from food poisoning in New York City, leaving behind her husband and two sons. She has a great-great grandson and granddaughter living in America. (Sources: Kutsch & Riemens Concise Biographical Dictionary of Singers / Chilton Book Company / 1969; wikipedia) ******************************
  • German Contralto Emmi Leisner ~ Aus der Tiefe des Grames (1924) For "zarahleander85" / German contralto Emmi Leisner (1885-1958) / Aus der Tiefe des Grames / Achilleus (Bruch) / Recorded: 1924 -- EMMI LEISNER (b. August 8, 1885, Flensburg, Germany; d. January 12, 1958, Flensburg) After she had studied in Berlin with Helene Breest , she gave her first concert and lieder recital, which attracted uncommon attention in Berlin (1911). In 1912 she sang Orphee in Jacques-Dalcroze's famous production of Gluck's opera at Hellerau. She was a member of the Berln Imperial Opera (1913-21). She sang at the Berlin Volksoper (1921-24) and was engaged at the German Opera House in Berlin-Charlottenburg in 1925. In general, however, she was especially known as a concert contralto and was counted as one of the most famous song interpreters of her generation as well as a great Bach and Handel singer. Her concerts and recitals were reckoned among the high points of any year's musical events all over the world. At the Bayreauth Festivals she was greatly admired for her art in signing Wagner, particularly the part of Erda. After 1939 she lived in Kampen on the island of Sylt. A deep and highly musical contralto voice, whose dark tones were admired equally with the stylistic security of her delivery. (Source: Kutsch & Riemens Concise Biographical Dictionary of Singers - Chilton Book Company - 1969) ******************************
  • Renee Fleming, Contralto to High Soprano (Eb3-G6) Renee's amazing range, extremely rare for a lyric soprano. Can your fave do it? LOL Haterz, stay pressed!!
  • American Contralto Claramae Turner ~ Lover Come Back to Me (1950) For "opertutto" & "sospello" / American contralto Claramae Turner (1920--) / Lover Come Back to Me / The New Moon (Romberg - Hammerstein) / Recorded: 1950 / Special Thanks and Good Cheer to "operamark1" for suggesting and providing the sound file -- Claramae Turner (born October 28, 1920) is an American opera singer. She was made very famous by singing the song "You'll Never Walk Alone" in the musical Carousel. Born in Dinuba, California, she was a contralto with the Metropolitan Opera during the late 1940's and early 1950's, and also sang with the New York City Opera. She created the role of Madame Flora in Gian Carlo Menotti's The Medium, reprising it in an episode of Omnibus on television. She also recorded the role of Ma Moss in Aaron Copland's The Tender Land (opposite Joy Clements and Norman Treigle), and one of her roles at the Met was that of Gertrud in an English version of Engelbert Humperdinck's opera Hänsel und Gretel, starring Risë Stevens and Nadine Conner. This performance was one of the first Metropolitan Opera record albums of a complete opera ever released (by Columbia Masterworks Records). Miss Turner reprised the role on television in an installment of "NBC Television Opera Theatre". All of these early television appearances were live, not done on film or videotape.Turner also sang the role of the Nurse in the Met's famous 1946 production of Charles Gounod's Roméo et Juliette, starring Jussi Björling and Bidu Sayão. On radio, she sang the role of ...
  • Persian Love Song (The Silver Gun) video: D Merin; Music: Persian Love Song (The Silver Gun), Lisa Gerrard - The Mirror Pool
  • FIRST VICTOR RED SEAL: Australian Contralto Ada CROSSLEY ~ Caro mio ben (1903) Australian contralto Ada Crossley (1874-1929) / Caro mio ben (Giordano) / Recorded: April 30, 1903 -- Contralto Ada Crossley studied in Melbourne and made her debut there as a concert singer (1892). In 1894 she came to London for further training and became a pupil of Sir Charles Santley; she later studied with Mathilde Marchesi in Paris. In 1895 she gave her first concert in London and thereafter had great success in the concert hall. In 1897 she sang at the English court for Queen Victoria and in 1903 she made a long American tour. In Amsterdam she sang under William Mengelberg, and in 1912 gave a concert in London under the direction of Henry J. Wood for the benefit of victims of the "SS Titanic" disaster. Later she expanded her teaching activities in the English metropolis. She never appeared on stage. She had a dark-timbred and melodic contralto voice. (from "A Concise Biographical Dictionary of Singers" by KJ Kutsch & Leo Riemens / Chilton Book Company - 1969) ******************************
  • Contralto Eula Beal sings Schubert's "Erlkoenig" Contralto Eula Beal sings Schubert's "Erlkoenig", accompanied by Marguerite Campbell
  • American Contralto Claramae Turner ~ Music from Carousel (1962) For "opertutto" & "sospello" / American contralto Claramae Turner (1920--) / June is Bustin' Out All Over; This Was a Real Nice Clambake; You'll Never Walk Alone / Carousel (Rodgers & Hammerstein) / Recorded: 1962 / Special thanks to "opertutto" who provided the sound files and photograph, and to "operamark1" for first suggesting Ms. Turner be posted to youtube -- Claramae Turner (born October 28, 1920) is an American opera singer. She was made very famous by singing the song "You'll Never Walk Alone" in the musical Carousel. Born in Dinuba, California, she was a contralto with the Metropolitan Opera during the late 1940's and early 1950's, and also sang with the New York City Opera. She created the role of Madame Flora in Gian Carlo Menotti's The Medium, reprising it in an episode of Omnibus on television. She also recorded the role of Ma Moss in Aaron Copland's The Tender Land (opposite Joy Clements and Norman Treigle), and one of her roles at the Met was that of Gertrud in an English version of Engelbert Humperdinck's opera Hänsel und Gretel, starring Risë Stevens and Nadine Conner. This performance was one of the first Metropolitan Opera record albums of a complete opera ever released (by Columbia Masterworks Records). Miss Turner reprised the role on television in an installment of "NBC Television Opera Theatre". All of these early television appearances were live, not done on film or videotape.Turner also sang the role of the Nurse in the Met's famous 1946 ...
  • Edward Elgar: Land of Hope and Glory; Kathleen Ferrier, contralto (1951) A scratchy record of an adorable woman's golden voice. Kathleen Ferrier♥ (1912-1953). Edward Elgar: Land of Hope and Glory. The music to which the words of the refrain are set is the "trio" theme from Elgar's Pomp and Circumstance March No. 1. Lyrics by AC Benson, written in 1902. This performance was recorded in Nov. 1951 at a concert conducted by Sir John Barbirolli marking the reopening of the Free Trade Hall in Manchester after its damage in WW II. The singer was already ill with cancer.

Blogs & Forum
blogs and forums about contralto

  • “Dolphin. Support. Unity. About. Account. Unity. Market. Jobs. Websites. Forums. Blogs. Members. Premium. BoonEx Home " Unity " Blog " Contralto's blog. Get Started! Contralto's blog. Nothing found. © BoonEx Pty Ltd (ABN 27 127 966 581, Proudly Australian) Contact BoonEx. PET:0.068598031997681”
    — Contralto's blog,

  • “Tattoo Community Pictures Gallery Forum Blog Images. Her great contralto voice, which she used without much discretion, was a really superb organ and gave people a pleasure as substantial as food and drink”
    — Blogs " great contralto voice gave a pleasure as " We Love,

  • “Contralto. Find all posts by this member · Add to contact list. Active Stats. Total Cumulative Posts. 5760 ( 0.03% of total forum posts ) Posts per day. 3.5. Joined. 16-May 06. Most active in. posts in this forum ( 0% of this member's active posts ) User's local time. 4 Nov 2010, 13:18. Status (Offline)”
    Contralto - Viewing Profile, forum.ge

  • “Free MP3 music downloads from Australia's leading independent and unsigned bands and artists. Free and easy for artists to promote themselves across the MP3 Music Network. Wiebke Hoogklimmer, Contralto and Stage Director's Blog”
    — MP3.com.au - Free Music, MP3s, Downloads, Band Info and Reviews, mp3.com.au

  • “Carolyn, 16, sings Scarlatti's About Us and our POTF Blog (w/video) Real Kefir Grains Available Here. Apropos Quotes. Mar. 31. An Exquisite Sadness in a Contralto Voice (with video) Posted by pockets. Our spiritual Master comments that sometimes when we are feeling sad, the”
    — Pockets of the Future Blog " Blog Archive " An Exquisite,

  • “BTW, I'm a contralto singer and would love to meet other singers too aside other BTW, I'm a contralto singer and would love to meet other singers too aside other”
    — New Singer In The Block - Forums,

  • “ for the sake of the truth.The humour in this blog is often not for the faint - hearted. Tony Contralto, head of what had for many years been the most powerful Mafia family in”
    — The Contraltos (a story of the New Labour Mafia) - Boggartblog,

  • “Killeralto's Blog. FAQ. What is a Contralto? Interests. The Rose Ensemble. Contralto Videos. Contralto Memorabilia Lisa Drew, Contralto • Copyright © 2010 All Rights Reserved • Custom WordPress Websites by LyricalBiz”
    — Killeralto's Blog :: Lisa Drew, Contralto,

  • “Profile of contralto Forum. Re: Fashion Blogs. by: saiverano | 2010 Nov 15 12:32 AM. Catwalk Or Defile? by: alexmod | 2010 Nov 14 04:38 PM. Re: Buy Cheap Flagyl. by: givson44 | 2010 Nov 14 03:49 PM. All Topics >> Twitter. Follow Us On Twitter. StyleBibleph. PreviewMag. Latest From Our Partner Sites”
    — Profile of contralto, stylebible.ph

  • “The acclaimed Canadian contralto Marie-Nicole Lemieux sings two major song cycles by Robert Schumann (1810-1856), and four other songs by the composer (Der”
    Contralto Marie-Nicole Lemieux Sings Schumann posted in Naxos,

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