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  • Essays range from Antonio Negri's ***ysis of contemporaneity in light of the concept of multitude to Okwui Enwezor's argument Contemporary Art, Contemporaneity and Art to Come, Sydney, Artspace Critical Issues. — “Terry E Smith dot net”,
  • menswear | Identity, research, contemporaneity define the path followed by Mila Schön to create S/S 2011 collection. Contrasting stylistic features of th. — “Identity, research, contemporaneity by Mila Schön”,
  • The Game of Contemporaneity or 'dojidai gemu' (同時代ゲーム) is a novel by Nobel prize winner The Game of Contemporaneity was originally inspired on Diego Rivera's mural 'Dream on a. — “The Game of Contemporaneity - Wikipedia, the free encyclopedia”,
  • Contemporaneity cannot possibly be reduced to a permanent humiliation of our moral and esthetical judgement! Now, if we are to reconcile time with the architect's definition of contemporaneity, we must say that to be -"relevant to it's time"-, to be. — “Contemporaneity”,
  • Conditioned Contemporaneity (Reartikulacija, Part 1 of 3) NLB (Nova Ljubljanska Banka) Prishtina, 80.39% property of the NLB d.d., Slovenia. Image: Sebastjan Leban, Staš Kleindienst, Contemporary Structures of Colonization, work in progress (detail), 2008. — “Sebastjan Leban, Conditioned Contemporaneity (Reartikulacija”, e-
  • Memory of the West: The Contemporaneity of Forgotten Jewish Thinkers (Value Inquiry Book, 163) by Reyes Mate (Paperback - Oct. 2004) The Dissemination of News and the Emergence of Contemporaneity in Early Modern Europe by Brendan Dooley (Hardcover - July 1, 2010). — “: Contemporaneity”,
  • Geological Contemporaneity and Persistent Types of Life. Quarterly Journal of the Geological Society (1862) Sixty per cent. of species in common is, then, proof of contemporaneity. — “Geological Contemporaneity (1862)”, cs.clarku.edu
  • Definition of contemporaneity from Webster's New World College Dictionary. Meaning of contemporaneity. Pronunciation of contemporaneity. Definition of the word contemporaneity. Origin of the word contemporaneity. — “contemporaneity - Definition of contemporaneity at”,
  • About the Festival of Art "Traditions and Contemporaneity" Moscow Social Foundation of Culture Support and Contemporary Art Development invites galleries and artists to participate in Moscow International Festival of Art "Traditions and Contemporaneity". — “Moscow International Festival of Art "Traditions and”,
  • Definition of Contemporaneity in the Online Dictionary. Meaning of Contemporaneity. Pronunciation of Contemporaneity. Translations of Contemporaneity. Contemporaneity synonyms, Contemporaneity antonyms. Information about Contemporaneity in the. — “Contemporaneity - definition of Contemporaneity by the Free”,
  • Note: click on a word meaning below to see its connections and related words. The noun contemporaneity has 2 meanings: Meaning #1 : the quality of. — “contemporaneity: Information from ”,
  • International Festival THEATRE METHODS 06 Between Tradition and Contemporaneity Artistic Director - Sergey Ostrenko May 22-28, 2006 Kiev, Ukraine Performing arts have the ancient history with extremely rich and various traditions of. — “THEATRE METHODS 06”,
  • Sunday, June 20, 2010. Contemporaneity Cultural Exchange. at 11:45 PM. Or thoughts from this side of the Atlantic. The Scandinavian culture still stands strong here in USA at many places as the descendants of many immigrants try to keep it alive - good stuff. — “Floorball Hockey U: Contemporaneity Cultural Exchange”,
  • Tradition and Modernity in Contemporary Practice. Tradition and Modernity in Contemporary Practice. Â. — “Periferia:”,
  • This highly illustrated overview of the state of painting documents concerns and ideas among contemporary painters. Often moving beyond the traditional image associated medium, Vitamin P hopes to illustrate the richness, eclecticism, dynamism and contemporaneity of the practice of painting today. — “Vitamin P : Barry Schwabsky : 9780714844466”,
  • contemporaneity. Definition from Wiktionary, the free dictionary. Jump to: navigation, contemporaneity (uncountable) The state or characteristic of being. — “contemporaneity - Wiktionary”,
  • In The Dialogic Imagination, Mikhail Bakhtin (p. 255) argues that the writer "does his observing from his own unresolved and still evolving contemporaneity, in all its complexity and fullness. In doing so, we see that Salinger's contemporaneity is still unresolved and evolving through a number of. — “Voice in the Narrative”,
  • Discussing Contemporaneity', a seminar organized in conjunction with the exhibition Contemporaneity: Contemporary Art of Indonesia', posed two questions: what He proposes the term artistic sensibilities' to identify traits of contemporaneity in the cultural context of Indonesia. — “Frieze Magazine | Archive | Archive | Contemporaneity”,
  • An overview of the law relating to transferred malice and the contemporaneity rule in criminal liability. With explanation on the requirement of the coincidence of actus reus and mens rea with case notes. — “mens rea negligence, transferred malice, contemporaneity rule”, e-
  • In absorbing poststructuralist and art theory in order to "catch" up with visual art and cinema's contemporaneity and reflect its proper discipline theoretically, the field of choreography and dance in Europe developed sometimes entertain the prestige of contemporaneity that society assigns to it. — “Bojana Cvejić: Learning by making | summit. non aligned”,
  • www.egs.edu Giorgio Agamben speaking about the notion of contemporaneity, what does it mean be contemporary, Friedrich Wilhelm Nietzsche, paradigm, anachronism to the present, history, demands of the time, distancing from and belonging to a period, a relationship to time, Alain Badiou, the. — “Wroon Videos - contemporaneity videos”,
  • Perhaps they found it strange that a discussion about Indonesia and contemporaneity was held in English and Mandarin without a word of Bahasa.) Professor Wang Dagen from Shanghai National University now read out a disquisition on the difference between modernism and contemporary art. — “CONTEMPORANEITY? - www.c-”, c-
  • In the framework of the festival, the G. Aitiev Kyrgyz National Museum of Arts presented "Contemporaneity", an exhibition with video works by 13 artists from various countries. Amongst the artists were Muratbek Jumaliev and Gulnara Kasmalieva, video art pioneers from Bishkek. — “Contemporaneity. Nafas Art Magazine”, universes-in-

Images
related images for contemporaneity

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  • A billboard advertisement for Ipko mediates Western capitalist
  • Moscow will host III International Art Festival Tradition and Contemporaneity on June 12 22 Known
  • Birdie and the chair of board of directors of company Evroset Eugenii Chichvarkin Star after payment have been transferred in gift to the project Parade of star dolls to children Tatiana Pushkina s doll Birdie
  • 36 chairs Regarding institutional violence The latent inherent throughout society Consider Zizek s objective violence
  • Nikas Safronov and his doll Nikas Safronov and his doll New dolls have presented two famous people actress Yana Poplavskaja a doll the Red hat and writer Natalia Tolstaja a doll the Butterfly the rescuer
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  • Braco Dimitrijević The Casual Passerby I Met 1969 Image on building exterior Ljubljana 2000 Exhibition view of The Seven Sins Ljubljana Moscow 2004 Exhibition view of The Seven Sins Ljubljana Moscow 2004 When the editors of e flux journal invited me to write about contemporaneity they suggested that
  • Subsidiary of Raiffeisen International Bank Holding AG <br>
  • Strobist Vivitar 283 directly above the subject Fired at 1 8 power
  • half of obtained means has been contributed to fund Present lives which head Dina Korzun and Chulpan Hamatova her doll Anael Angel the keeper has been sold by the first at auction Chulpan Hamatova with her doll Anael Angel the keeper
  • 2001 Establishing contemporaneity and duration of magmatism in the Jurassic Gondwana large igneous province Abstracts Earth Systems Processes Edinburgh Scotland June 2001 119 jpg
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  • Zakharov Zofia Kulik Luka Prinčič Marjetica Potrč ARTPOOL Braco Dimitrijević The Casual Passerby I Met 1969 Image on building exterior Ljubljana 2000 Exhibition view of The Seven Sins Ljubljana Moscow 2004
  • a the sector b the palimpsest scenario c the ``point contemporaneity scenario ``local maximum at Time 2
  • an east west stratigraphic profile through this structure in order to establish its contemporaneity with the masonry roomblock The major cultural units defined by this testing are shown in Figure 2 3 The early occupation of the site dates to the Pueblo II period an earth walled pit structure the north midden and many of the extramural features are believed to be associated
  • Contemporaneity
  • MODERNITY POSTMODERNITY CONTEMPORANEITY Edited by Terry Smith Okwui Enwezor and Nancy Condee Published by Duke University Press Antinomies of Art and Culture is based on the Modernity Contemporaneity Symposium held at the University of Pittsburgh in 2004 in conjunction with the 54th Carnegie
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  • Space Andrea Komlosy Spatial division of labour global inter relations and imbalances in regional development 355 Kb word document Graph The contemporaneity of the non contemporary by periods 83 Kb gif file Textile firm Arthur McIvor The textile firm and the management of labour comparative perspectives on the
  • Tatiana Pushkina s doll Birdie Evgenie Chichvarkin s doll Star Besides auction the charitable lottery has been spent gathering from which will be transferred in scientific research institute of Children s oncology and
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  • TEB Türk Ekonomi Bankası a joint venture with BNP Paribas <br>
  • The awarding ceremony of the bronze figurine Vera the first award in the field of fine arts will be on June 24 2009
  • Nikas Safronov and his doll New dolls have presented two famous people actress Yana Poplavskaja a doll the Red hat and writer Natalia Tolstaja a doll the Butterfly the rescuer Yana Poplavskaja and her doughte Tasya
  • Next >36 chairs
  • the contemporaneity becomes almost impossible to prove either way by so called scientific methods The Procuress 1656 detail 1 detail 2 This painting has been attributed to Jan van der Meer van Haarlem Jacques van der Meer van Utrecht Jan van der Meer van Delft Both the signature
  • a love Measure under the name Magic flute Belarus At auction there was Nikas Safronov who in a gratitude sign has presented the picture to the visitor who has bought its doll Nikas Safronov and his doll
  • standards of contemporaneity The Mother of the Muses is ageless and her daughters speak to and through us in a chorus as powerfully vibrant as it is infinitely and richly various Fig 6 Nicolas Poussin Dance to the Music of Time 1637 38 London Wallace Collection
  • NLB Nova Ljubljanska Banka Prishtina 80 39 property of the
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  • A city bus advertising Raiffeisen bank in Prishtina <br>

Videos
related videos for contemporaneity

  • edhochuli - More metal than Brendan 4/17/10 @ southside VFW, Pittsburgh, PA
  • Giorgio Agamben. The Process of the Subject in Michel Foucault. 2009 6/7 www.egs.edu Giorgio Agamben conducting a seminar on the creation of the subject in the work of of Michel Foucault. Agamben examined the idea of the subject (through a discussion of the role of the author) by contrasting theories of subjectivity between Michel Foucault and Pierre Hadot. Agamben discussed the chiasmatic relationship of the art making the art as the artist makes the art. He spoke of the movement of the location of subjectivity from autonomy to ethics, Nietzsche, praxis, the notion of indifference, the two meanings of ontology, the fundamental difference between essence and existence, and the limits of language. Public open video lecture for the students and faculty of the European Graduate School (EGS) Media and Communication Studies Program. Giorgio Agamben is perhaps Italy's most famous contemporary philosopher; as a leading figure in both philosophy and radical political thought, he has been intimately connected, along with Antonio Negri and Paolo Virno to Italy's post-1968 leftist politics. During his tenure as professor at the Universita di Venizia, he has written widely on philosophy, politics, theology as well as radical critical theory—indeed, there is little in the world of critical theory that he has not at some point touched upon. Working in the wake of such thinkers as Michel Foucault and Jacques Derrida, as well as Martin Heidegger (with whom he studied with as a post-doctoral student) Agamben has become one the most influential thinkers of his ...
  • Giorgio Agamben. On Contemporaneity. 2007 1/4 www.egs.edu Giorgio Agamben speaking about the notion of contemporaneity, what does it mean be contemporary, Friedrich Wilhelm Nietzsche, paradigm, anachronism to the present, history, demands of the time, distancing from and belonging to a period, a relationship to time, Alain Badiou, the century, personal experience, blood, and life, historical collective time, the beast, backbone. Free public open philosophy and politics lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007, Giorgio Agamben. Giorgio Agamben, born 1942, is an Italian philosopher who teaches at the Università IUAV di Venezia, the Collège International de Philosophie in Paris and previously at the University of Macerata in Italy. He also has held visiting appointments at several American universities, European Graduate School and at Heinrich Heine University, Düsseldorf. Agamben's best known work includes his investigations of the concepts of state of exception and homo sacer. Agamben received the Prix Européen de l'Essai Charles Veillon in 2006. Agamben was educated at the University of Rome, where he wrote a thesis on the political thought of Simone Weil. Agamben participated in Martin Heidegger's Le Thor seminars on Hera***us and Hegel in 1966 and 1968. In the 1970s he worked primarily on linguistics, philology, poetics, and medievalist topics, where he began to elaborate his primary concerns, though ...
  • First Drive Ferrari 599xx Speed and sense. Design and arrangement. Contemporaneity and Technology Overview, your rate.
  • KUHINJA: Hito Steyerl Interview Interview with artist/art theorist Hito Steyerl. From the TV show "Kuhinja", a weekly programme on the phenomena of contemporary culture, produced by pro.ba (www.pro.ba), a Sarajevo based independent TV, film and video production company. Broadcast Thursdays 22:30 CET on BHT1 (www.pbsbih.ba)
  • Giorgio Agamben. On Contemporaneity. 2007 3/4 www.egs.edu Giorgio Agamben speaking about the notion of contemporaneity, what does it mean be contemporary, Friedrich Wilhelm Nietzsche, paradigm, anachronism to the present, history, demands of the time, distancing from and belonging to a period, a relationship to time, Alain Badiou, the century, personal experience, blood, and life, historical collective time, the beast, backbone. Free public open philosophy and politics lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007, Giorgio Agamben. Giorgio Agamben, born 1942, is an Italian philosopher who teaches at the Università IUAV di Venezia, the Collège International de Philosophie in Paris and previously at the University of Macerata in Italy. He also has held visiting appointments at several American universities, European Graduate School and at Heinrich Heine University, Düsseldorf. Agamben's best known work includes his investigations of the concepts of state of exception and homo sacer. Agamben received the Prix Européen de l'Essai Charles Veillon in 2006. Agamben was educated at the University of Rome, where he wrote a thesis on the political thought of Simone Weil. Agamben participated in Martin Heidegger's Le Thor seminars on Hera***us and Hegel in 1966 and 1968. In the 1970s he worked primarily on linguistics, philology, poetics, and medievalist topics, where he began to elaborate his primary concerns, though ...
  • TIO JUAN, show "*** AFonics" by NOÏSTRON" (Sevilla, Spain) In *** AFONICS, NOÏSTRON" proposes an iconoclastic and dynamic reflection on primitive aspects of human condition that goes to a daily contemporaneity: how people become victims of their own miseries. Excerpts from shorts by C. Schneemann, N. McLaren, Nick Zed & R. Kern, Guy Maddin, horror films, and even the No-Do. Images from the past and the present to illustrate a surreal and experimental story about ***. *** AFONICS is a disturbing art-noise-cabaret sound live with guitar bursts and crushed minimalist environments. True vocal hoarses mixed with electronic music and improvised manipulated Monteverdi's Orfeo, historical recordings of P. Henry and the Zaj group loops. NOÏSTRON" is a disturbing combination of baroque post-surreal imagery noise sources with narcotic audiovisual mixtures. Industrial and surrealistic noises, frenetic rhythms and voices all beaten are the soundtrack for a film between terror and the more distressing more acidic black comedy. NOÏSTRON" plays with the language of uncomfortable and shocking images in "harmony" with a sceptical vision-perception expressed by micro and macro sounds of atmospheric horror and odd beauty. NOÏSTRON" are: ANTONIO MURGA: guitar, sound sources, videos NOIKKO: sequencers, samplers, manipulations YERAY: didgeridoos, djembe, voices LE LIGRE: atmospheres, noises Since 1987 Antonio Murga broadcast unusual and non conventional sounds through his radio programmes ( now, "El Musicantropo" on Radiopolis, Sevilla). He makes ...
  • Akantus, Amando E Desiando "Falalala" MUSIC BY Alonso Mudarra, Bartolomeo Tromboncino, Juan Ambrosio Dalza, Marchetto Cara, Diego Ortiz, Francesco da Milano Mateo Flecha, Juan del Enzina, Luis de Narváez, Michele Pesenti, Benedetto Gareth and Francesco Spinacino. THE REPERTOIRE OF AKANTUS consists chiefly of renaissance music. This concentrated and emotionally potent collection of late 16th-century Spanish and Italian music features the uniquely expressive voice of Lena Susanne Norin which, while taking us back to a bygone age, does so with such a gripping contemporaneity that the historical perspective seems to become a *** l'oeil. Lena Susanne Norin - voice, Peter Söderberg - lute, vihuela, Leif Henrikson - viola da gamba
  • Giorgio Agamben. On Contemporaneity. 2007 2/4 www.egs.edu Giorgio Agamben speaking about the notion of contemporaneity, what does it mean be contemporary, Friedrich Wilhelm Nietzsche, paradigm, anachronism to the present, history, demands of the time, distancing from and belonging to a period, a relationship to time, Alain Badiou, the century, personal experience, blood, and life, historical collective time, the beast, backbone. Free public open philosophy and politics lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007, Giorgio Agamben. Giorgio Agamben, born 1942, is an Italian philosopher who teaches at the Università IUAV di Venezia, the Collège International de Philosophie in Paris and previously at the University of Macerata in Italy. He also has held visiting appointments at several American universities, European Graduate School and at Heinrich Heine University, Düsseldorf. Agamben's best known work includes his investigations of the concepts of state of exception and homo sacer. Agamben received the Prix Européen de l'Essai Charles Veillon in 2006. Agamben was educated at the University of Rome, where he wrote a thesis on the political thought of Simone Weil. Agamben participated in Martin Heidegger's Le Thor seminars on Hera***us and Hegel in 1966 and 1968. In the 1970s he worked primarily on linguistics, philology, poetics, and medievalist topics, where he began to elaborate his primary concerns, though ...
  • Bob Batastini at the Organ in Loppia, Lucca, Italy. Bob plays the organ at La Pieve di Santa Maria Assunta, the 951 year-old church where his father, Charles, was baptized in 1898. The organ is circa 1700l. The work is "Offertorio" from "Sonate d'intavolatura per organo e cimbalo," 1716, by Italian composer, Domenico Zipoli, chosen for its contemporaneity with the instrument.
  • SALXIXÖN, de "*** AFonics" by NOÏSTRON" (Sevilla, Spain) In *** AFONICS, NOÏSTRON" proposes an iconoclastic and dynamic reflection on primitive aspects of human condition that goes to a daily contemporaneity: how people become victims of their own miseries. Excerpts from shorts by C. Schneemann, N. McLaren, Nick Zed & R. Kern, Guy Maddin, horror films, and even the No-Do. Images from the past and the present to illustrate a surreal and experimental story about ***. *** AFONICS is a disturbing art-noise-cabaret sound live with guitar bursts and crushed minimalist environments. True vocal hoarses mixed with electronic music and improvised manipulated Monteverdi's Orfeo, historical recordings of P. Henry and the Zaj group loops. NOÏSTRON" is a disturbing combination of baroque post-surreal imagery noise sources with narcotic audiovisual mixtures. Industrial and surrealistic noises, frenetic rhythms and voices all beaten are the soundtrack for a film between terror and the more distressing more acidic black comedy. NOÏSTRON" plays with the language of uncomfortable and shocking images in "harmony" with a sceptical vision-perception expressed by micro and macro sounds of atmospheric horror and odd beauty. NOÏSTRON" are: ANTONIO MURGA: guitar, sound sources, videos NOIKKO: sequencers, samplers, manipulations YERAY: didgeridoos, djembe, voices LE LIGRE: atmospheres, noises Since 1987 Antonio Murga broadcast unusual and non conventional sounds through his radio programmes ( now, "El Musicantropo" on Radiopolis, Sevilla). He makes ...
  • Akantus, Amando E Desiando "Poi che volse la mia stella" MUSIC BY Alonso Mudarra, Bartolomeo Tromboncino, Juan Ambrosio Dalza, Marchetto Cara, Diego Ortiz, Francesco da Milano Mateo Flecha, Juan del Enzina, Luis de Narváez, Michele Pesenti, Benedetto Gareth and Francesco Spinacino. THE REPERTOIRE OF AKANTUS consists chiefly of renaissance music. This concentrated and emotionally potent collection of late 16th-century Spanish and Italian music features the uniquely expressive voice of Lena Susanne Norin which, while taking us back to a bygone age, does so with such a gripping contemporaneity that the historical perspective seems to become a *** l'oeil. Lena Susanne Norin - voice, Peter Söderberg - lute, vihuela, Leif Henrikson - viola da gamba
  • Uchida conducts Mozart's Piano Concerto #20 - Allegro I Mitsuko Uchida conducts and performs. Below is a review, reprinted in the DVD insert for this performance. Two and a half centuries after Mozart's birth, Mitsuko Uchida comes as close as any pianist, of the present or the past, to giving his music a quality of contemporaneity, without recourse to exaggeration of any kind, without a hint of "historicity." There is no pedantry in her playing, no self-conscious didacticism, no straight imitation of 18th century practices. She is, however, musicologically highly informed, and characteristically complements this knowledge with practical experience. (cont. on part II)
  • Conferences - Imaterial (12 MAI) CONFERENCE SERIES "THE IMMATERIAL: NEW PARADIGMS OF CONTEMPORANEITY" www.serralves.pt
  • Giorgio Agamben. What is a Paradigm. 2002 7/10 www.egs.edu Giorgio Agamben, asking what is a paradigm, philosophy, epistemology, Methodology, Figures and phenomena, techniques, patterns and members, the Muselmann, Homo sacer, the State of exception, Michel Foucault, development capability of philosophy, philosophical element, Entwicklungsfähigkeit, ignorance, potential. Free public open philosophy and politics lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2002, Giorgio Agamben. Giorgio Agamben born 1942 is an Italian philosopher who teaches at the Università IUAV di Venezia, the Collège International de Philosophie in Paris and previously at the University of Macerata in Italy. He also has held visiting appointments at several American universities, European Graduate School and at Heinrich Heine University, Düsseldorf. Agamben's best known work includes his investigations of the concepts of state of exception and homo sacer. Agamben received the Prix Européen de l'Essai Charles Veillon in 2006. Agamben was educated at the University of Rome, where he wrote a thesis on the political thought of Simone Weil. Agamben participated in Martin Heidegger's Le Thor seminars on Hera***us and Hegel in 1966 and 1968. In the 1970s he worked primarily on linguistics, philology, poetics, and medievalist topics, where he began to elaborate his primary concerns, though without as yet inflecting them in a specifically political direction ...
  • Giorgio Agamben. The Process of the Subject in Michel Foucault. 2009 7/7 www.egs.edu Giorgio Agamben conducting a seminar on the creation of the subject in the work of of Michel Foucault. Agamben examined the idea of the subject (through a discussion of the role of the author) by contrasting theories of subjectivity between Michel Foucault and Pierre Hadot. Agamben discussed the chiasmatic relationship of the art making the art as the artist makes the art. He spoke of the movement of the location of subjectivity from autonomy to ethics, Nietzsche, praxis, the notion of indifference, the two meanings of ontology, the fundamental difference between essence and existence, and the limits of language. Public open video lecture for the students and faculty of the European Graduate School (EGS) Media and Communication Studies Program. Giorgio Agamben is perhaps Italy's most famous contemporary philosopher; as a leading figure in both philosophy and radical political thought, he has been intimately connected, along with Antonio Negri and Paolo Virno to Italy's post-1968 leftist politics. During his tenure as professor at the Universita di Venizia, he has written widely on philosophy, politics, theology as well as radical critical theory—indeed, there is little in the world of critical theory that he has not at some point touched upon. Working in the wake of such thinkers as Michel Foucault and Jacques Derrida, as well as Martin Heidegger (with whom he studied with as a post-doctoral student) Agamben has become one the most influential thinkers of his ...
  • Akantus, Amando E Desiando "Amando e Desiando" MUSIC BY Alonso Mudarra, Bartolomeo Tromboncino, Juan Ambrosio Dalza, Marchetto Cara, Diego Ortiz, Francesco da Milano Mateo Flecha, Juan del Enzina, Luis de Narváez, Michele Pesenti, Benedetto Gareth and Francesco Spinacino. THE REPERTOIRE OF AKANTUS consists chiefly of renaissance music. This concentrated and emotionally potent collection of late 16th-century Spanish and Italian music features the uniquely expressive voice of Lena Susanne Norin which, while taking us back to a bygone age, does so with such a gripping contemporaneity that the historical perspective seems to become a *** l'oeil. Lena Susanne Norin - voice, Peter Söderberg - lute, vihuela, Leif Henrikson - viola da gamba
  • Avital Ronell and Judith Butler. Contemporaneity of Philosophy. 2006 2/3 www.egs.edu Lecture with Avital Ronell and Judith Butler at European Graduate School, focusing on contemporaneity of philosophy. European Graduate School EGS Media and Communication Studies Department Program Saas-Fee, Switzerland 2006 Judith Butler is the Maxine Elliot professor in the Departments of Rhetoric and Comparative Literature at the University of California, Berkeley and an American feminist and post-structuralist philosopher interested in feminism, queer theory, political philosophy, ethics, zionism, israel, oppression, academic freedom and cultural narrative. Judith Butler is the author of Giving An Account of Oneself; Undoing Gender; Precarious Life: The Powers of Mourning and Violence; Contingency, Hegemony, Universality: Contemporary Dialogues on the Left (with Ernesto Laclau and Slavoj Žižek); Antigone's Claim: Kinship Between Life and Death; The Psychic Life of Power: Theories in Subjection; Excitable Speech: A Politics of the Performative; Bodies That Matter: On the Discursive Limits of "***"; Gender Trouble: Feminism and the Subversion of Identity; and Subjects of Desire: Hegelian Reflections in Twentieth-Century France. Avital Ronnell, is a Professor of German, comparative literature, and English at New York University. Her research interests include literary and other discourses, feminism; philosophy, technology and media, psycho***ysis, deconstruction, and performance art. She is the author of The Test Drive (2005), Stupidity (2003), Stupidity; The ...
  • Alain Badiou. Theater, Poetry and Philosophy. 2003 1/6 www.egs.edu Alain Badiou talking about Samuel Beckett's work: "Krapps last tape" in a lecture about the relationship of theater, poetry, philosophy, stage, performance, thinking, writing, author and creator. Public open lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2003. Alain Badiou, born 1937, in Rabat, Morocco is a prominent French Left-wing philosopher, formerly chair of Philosophy at the École Normale Supérieure ENS. Alain Badiou, Ph.D: Rene Descartes Chair at EGS, born in Rabat, Morocco in 1937, Alain Badiou was a student at the école Normale Supérieure in the 1950s. He taught at the University of Paris VIII (Vincennes-Saint Denis) from 1969 until 1999, when he returned to ENS as the Chaire of the philosophy department. He continues to teach a popular seminar at the Collège International de Philosophie, on topics ranging from the great 'antiphilosophers' (Saint-Paul,Paul the Apostle, Friedrich Wilhelm Nietzsche, Ludwig Wittgenstein, Jacques Lacan ...) to the major conceptual innovations of the twentieth century. Much of Badiou's life has been shaped by his dedication to the consequences of the May 1968 revolt in Paris. Long a leading member of Union des jeunesses communistes de France (marxistes-léninistes), he remains with Sylvain Lazarus and Natacha Michel at the centre of L'Organisation Politique, a post-party organization concerned with direct popular intervention ...
  • Luca Lillo_Terzo Rinascimento_Urbino 31.03.10 The ingenious contemporaneity of the Milanese Famiglia Margini, arrives in Urbino, one of the most beautiful cities of the Renaissance, in order to propose a selection of artists who represent the possibility of evolution in aesthetic language. Angelo Cruciani and Grace Zanotto lead out to the Utopian City an exhibition that sets out to redefine the value of Beauty in society, using expressive codes mirrored in the speed of current consumption, extrapolating peaks of conceptual experimentation.
  • Jericho Breakers Performing at Youth Dance Battle Pt1 Jericho Breakers invited most gospel well known in Kampala to celebrate hip hop in church & also to celebrate empowerment of youth in church through break dance, Africa contemporaneity, among other dance styles in Uganda emerging to be one of the best dance crews Uganda has.
  • Avital Ronell and Judith Butler. Contemporaneity of Philosophy. 2006 3/3 www.egs.edu Lecture with Avital Ronell and Judith Butler at European Graduate School, Media and Communication Studies department, focusing on contemporaneity of philosophy. EGS, Saas-Fee, Switzerland 2006 Judith Butler is the Maxine Elliot professor in the Departments of Rhetoric and Comparative Literature at the University of California, Berkeley and an American feminist and post-structuralist philosopher interested in feminism, queer theory, political philosophy, ethics, zionism, israel, oppression, academic freedom and cultural narrative. Judith Butler is the author of Giving An Account of Oneself; Undoing Gender; Precarious Life: The Powers of Mourning and Violence; Contingency, Hegemony, Universality: Contemporary Dialogues on the Left (with Ernesto Laclau and Slavoj Žižek); Antigone's Claim: Kinship Between Life and Death; The Psychic Life of Power: Theories in Subjection; Excitable Speech: A Politics of the Performative; Bodies That Matter: On the Discursive Limits of "***"; Gender Trouble: Feminism and the Subversion of Identity; and Subjects of Desire: Hegelian Reflections in Twentieth-Century France. Avital Ronnell, is a Professor of German, comparative literature, and English at New York University. Her research interests include literary and other discourses, feminism; philosophy, technology and media, psycho***ysis, deconstruction, and performance art. She is the author of The Test Drive (2005), Stupidity (2003), Stupidity; The Test Drive (2001), French ...
  • Goths and Slavs as Biblical nations of Gog and Magog Has history been tampered with? From the historical discourse shall probably think of those numerous Bela Lugosi impersonators who live by their hairspray and their macabre aesthetics. Those who did devote some of their time to tearing through all the insurmountable dogma and inexplicable lacunae in place of vibrant ages and civilizations that one finds in history textbooks will doubtlessly think of Jordanes and Cassiodorus in this respect, and recollect the Goths to have been a group of Germanic tribes who swarmed Europe in the alleged III century AD -- and "alleged" is a key word here -- to rape, pillage and terrorize. But how Germanic were they really, and when exactly have they been introduced to us as such? According to Anatoly Fomenko, one of the world's leading mathematicians, the Goths were Slavic through and through. This alone would fail to make a piece of sensational news -- however, Fomenko redefines sensational telling us that the Gothic tribes were none other but the Biblical nations of Gog and Magog! That might sound like nonsense -- after all, don't the Old Testament events date back to times immemorial? However, once you delve into the long-awaited English translation of Fomenko's "History: Fiction or Science?", you shall very soon discover that official history is absolutely and completely without competition in terms of making nonsense sound like science. "History: Fiction or Science?" is a phenomenal and unprecedented scientific experiment since ...
  • creature of power video-installation between a church and a museum of contemporaneity of art in Merida,yuc. Mexico .
  • BridgePost 01. Video 16.21min. 2010 Part 2 Dustin Cauchi (b.1981 Malta) works mainly in drawing, assemblages, film and text. Cauchi investigates and problematizes notions and contexts of contemporaneity. He has written extensively and delivered papers on Antonin Artaud (1896-1948) and Jacques Derrida (1930-2004). Lives and works in Malta. BridgePost is Dustin Cauchi's latest research project. BridgePost is a multimedia research project which investigates the notions of historicity, correspondence, historical sequence, and preservation. The research project started in September 2009. BridgePost 01 is the first documentation of this project. The short film addresses and problematizes the notions of historicity, sequence,translation and correspondence within established historical structures. The film translates a need for a re-reading of historical instances through a study of the postal artifact. The Film was first shown at MCA Valletta (Malta Contemporary Art Foundation ) A New Generation group show January 2010.
  • Avital Ronell and Judith Butler. Contemporaneity of Philosophy. 2006 1/3 www.egs.edu Lecture with Avital Ronell and Judith Butler focusing on contemporaneity of philosophy, Jacques Derrida, Georges Bataille, Friedrich Wilhelm Nietzsche, theory and trauma. Free public open lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2006 Judith Butler is the Maxine Elliot professor in the Departments of Rhetoric and Comparative Literature at the University of California, Berkeley and an American feminist and post-structuralist philosopher interested in feminism, queer theory, political philosophy, ethics, zionism, israel, oppression, academic freedom and cultural narrative. Judith Butler is the author of Giving An Account of Oneself; Undoing Gender; Precarious Life: The Powers of Mourning and Violence; Contingency, Hegemony, Universality: Contemporary Dialogues on the Left (with Ernesto Laclau and Slavoj Žižek); Antigone's Claim: Kinship Between Life and Death; The Psychic Life of Power: Theories in Subjection; Excitable Speech: A Politics of the Performative; Bodies That Matter: On the Discursive Limits of "***"; Gender Trouble: Feminism and the Subversion of Identity; and Subjects of Desire: Hegelian Reflections in Twentieth-Century France. Avital Ronnell, is a Professor of German, comparative literature, and English at New York University. Her research interests include literary and other discourses, feminism; philosophy, technology and media, psycho***ysis ...
  • GUERRILL-ART ( viral / guerrilla marketing @ Fondazione Sandretto Re Rebaudengo ) guerrillart 17th May , 2011 I made the art performance i called "guerrill-art". what is guerrill-art? I decorated The green area in front of the Fondazone Sandretto Re Rebaudengo (Turin's most important foundation of contemporary art) with 100 balloons and 100 freecards with my face printed on and the words "consider me Patrizia." I don't care about being considered by Patrizia Re Rebaudengo. I did this performance to give a voice to all the young contemporary artists that don't have any "proper" acquaintances and easy shortcuts. Too many contemporary art exibhitions give spaces to artists that were born more then 50 years ago. Guerrill-art wanna say: CONSIDER US! BEACAUSE: YOUTH = BRAND NEW = CONTEMPORANEITY Nella notte del 17 Maggio 2011 (ieri notte) l'area verde di fronte alla Fondazone Sandretto Re Rebaudengo (più importante fondazione torinese di arte contemporanea) è stata da me decorata a sua insaputa con 100 palloncini e 100 cartoline con la mia faccia stampata in bianca e la scritta "Patrizia considerami" in volta. Performance che ha come scopo quello di farmi notare ma anche quello di sensibilizzare la gente sul fatto che sono pochi gli artisti contemporanei italiani nati dopo il 1970 che riescono ad esporre. Contemporaneità vuol dire mezz'età? video editing: Gianluca Zenone
  • LAUDES REGIAE multimedia installation "LAUDES REGIAE" by Andrea Morucchio Ex Convento Santi Cosma e Damiano, Salone del Camino Giudecca, Venezia 08.06_ 29.07 2007 [multimedia installation] Laudes Regiae is an articulated and complex installation. Coherent with the main thread which runs through Andrea Morucchio's research, it aims at emotional involvement and reflection, using different expressive languages and means, and proposes transversal connections between historic heredity, spiritual journey and socio-political contemporaneity. Developed for the space of the ex Convent of Saints Cosma and Damian (XI century), it consists of 15 frosted red blown glass helmets (inspired by the "sparrow's beak" sallet from the XIV century helmet in the Armory of the Doge's Palace, Venice), of images projected using various techniques (of the Wolf of Passau, the effigy emblazoned on the swords produced in the Middle Ages in the village bearing the same name), and of the audio track of the so-called Laudes Regiae (the Chorus for the Crowning Mass taken from the Bramberg M***cript [XI century])... yet, in the words of philosopher Giorgio Agamben, "The function of the acclamations and of the Gloria, in the modern form of public opinion and of consense is still at the heart of the political devices of contemporary democracy" (The Kingdom and the Glory, 2007). Laudes Regiae is the result of the combination of the bare, minimal context of the Hall of the Fireplace of the ex Convent of Saints Cosma and Damian (XI century) and ...
  • Giorgio Agamben. What is a Paradigm. 2002 10/10 www.egs.edu Giorgio Agamben, asking what is a paradigm, philosophy, epistemology, Methodology, Figures and phenomena, techniques, patterns and members, the Muselmann, Homo sacer, the State of exception, Michel Foucault, development capability of philosophy, philosophical element, Entwicklungsfähigkeit, ignorance, potential. Free public open philosophy and politics lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2002, Giorgio Agamben. Giorgio Agamben born 1942 is an Italian philosopher who teaches at the Università IUAV di Venezia, the Collège International de Philosophie in Paris and previously at the University of Macerata in Italy. He also has held visiting appointments at several American universities, European Graduate School and at Heinrich Heine University, Düsseldorf. Agamben's best known work includes his investigations of the concepts of state of exception and homo sacer. Agamben received the Prix Européen de l'Essai Charles Veillon in 2006. Agamben was educated at the University of Rome, where he wrote a thesis on the political thought of Simone Weil. Agamben participated in Martin Heidegger's Le Thor seminars on Hera***us and Hegel in 1966 and 1968. In the 1970s he worked primarily on linguistics, philology, poetics, and medievalist topics, where he began to elaborate his primary concerns, though without as yet inflecting them in a specifically political direction ...
  • 11 MacroArea: The Arts Defining today the profile of an area that deals him with art can be difficult due to the variety of contents that it could include and due the debate that could be aroused by inserting or otherwise one subject or another. The publishers choice is perhaps however a braver one: choosing not to be tied to the classical definitions of art, but rather opening its contents also to that which social contemporaneity, through its dynamism, dictates.
  • Giorgio Agamben. What is a Paradigm. 2002 2/10 www.egs.edu Giorgio Agamben, asking what is a paradigm, philosophy, epistemology, Methodology, Figures and phenomena, techniques, patterns and members, the Muselmann, Homo sacer, the State of exception, Michel Foucault, development capability of philosophy, philosophical element, Entwicklungsfähigkeit, ignorance, potential. Free public open philosophy and politics lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2002, Giorgio Agamben.
  • BridgePost 01. Video 16.21min. 2010 Part 1.flv Dustin Cauchi (b.1981 Malta) works mainly in drawing, assemblages, film and text. Cauchi investigates and problematizes notions and contexts of contemporaneity. He has written extensively and delivered papers on Antonin Artaud (1896-1948) and Jacques Derrida (1930-2004). Lives and works in Malta. BridgePost is Dustin Cauchis latest research project. BridgePost is a multimedia research project which investigates the notions of historicity, correspondence, historical sequence, and preservation. The research project started in September 2009. BridgePost 01 is the first documentation of this research project. The short film addresses and problematizes the notions of historicity, sequence,translation and correspondence within established historical structures. The film translates a need for a re-reading of historical instances through a study of the postal artifact. The Film was first shown at MCA Valletta (Malta Contemporary Art Foundation ) A New Generation group show January 2010.
  • My Funeral -Extrac- MY FUNERAL Celebration of the death of boringness due to performing conceptual out of contemporaneity.Manifesto for the importance of improvisation as essential to creativity , rejecting the idea that only the fix choreography is to be showned/performed with dignity. The essential necessity of research. Realized with Cristine Sonia Baraga (Green High Heeled Dead Body) and The Most Crazier/Talentiest Bunch of People, SEAD STUDENTS 2002-2005. -Set Impro- 4th March 2005 Salzburg, Austria
  • Young Talented Stars Preliminary performer Chloe Dacosta Chloe Dacosta Performed her Jazz Contemporaneity Dance to the music of Fire Work by Katy Perry
  • audioscan - Noise transformed into ambient music Lets consider a city Milano and try to listen to it, in its wholeness. Millions of vehicles and machines stirring chaotically, punctuating the rhythm of our affairs on Earth. We deem this ocean of unwelcome sounds mostly as noise. This soundscape eludes our control: we barely rectify it, yet we cant give it up, since its embodied in the truck carrying our food, in the tram taking us to work, in the construction site building our houses. Its the sound of contemporaneity. Sounds can be sculpted. We can use noise as raw material to start with. Noise is at the same time no sound and all the possible sounds. Just as white light contains all the colours, noise contains countless sounds. Therefore, instead of using musical instruments we have ground and crumbled noise in very fine components, building from these elements orchestras made up of roads and airplanes, people and cars. We have created music from a scrap of our society. Everything is transformed. Nothing resembles anymore its former essence. Airplanes become microscopic percussions, cars are turned into metallic pianos, hollow murmurs and waterish illusions. Braking and tailpipes screeches become tides of the thinnest strings. audioscan.it Concept and art direction Giorgio Sancristoforo Music Giorgio Sancristoforo e Giuseppe Cordaro Video Quayola Production AGON Basemental Organizational Danilo Cardillo Tech consultant Massimo Marchi Field recording Diego Del Sarto Alessandro Roggero Luca DAloia Eliana Varlaro Dario ...
  • BridgePost 01. Documentation 2.26min. 2009 Dustin Cauchi (b.1981 Malta) works mainly in drawing, assemblages, film and text. Cauchi investigates and problematizes notions and contexts of contemporaneity. He has written extensively and delivered papers on Antonin Artaud (1896-1948) and Jacques Derrida (1930-2004). Lives and works in Malta. BridgePost is Dustin Cauchi's latest research project. BridgePost is a multimedia research project which investigates the notions of historicity, correspondence, historical sequence, and preservation. The research project started in September 2009. BridgePost 01 is the first documentation of this project. The short film addresses and problematizes the notions of historicity, sequence,translation and correspondence within established historical structures. The film translates a need for a re-reading of historical instances through a study of the postal artifact. The Film was first shown at MCA Valletta (Malta Contemporary Art Foundation ) A New Generation group show January 2010.
  • Jean-Marc Bustamante, Dead Calm Jean-Marc Bustamante Dead Calm 4 February -- 3 April 2011 The Frutimarket Gallery 45 Market Street Edinburgh, EH1 1DF Open seven days. Always free Opening Hours Mon--Sat 11am--6pm, Sun 12--5pm Jean-Marc Bustamante is one of France's senior artists and a major figure in the international art world. His clear, direct vision manifests itself in an almost bewildering array of materials and media—first photography, then sculpture, painting, architectural projects, installation. His work is unified and characterised by its calm intelligence and a kind of extraordinary ordinariness that helps us see its subject, the world around us, in a new way. Bustamante's art has not been seen enough in Britain, and we are delighted to bring it to new audiences in Scotland. This exhibition includes classic work from the 1980s and 1990s—the large-scale photographs and sculptures with which Bustamante made his name and newer work from 2000 on, in particular a series of paintings on Plexiglas made especially for The Fruitmarket Gallery and completed in 2010. We are pleased to be able to show so many major works by this internationally significant artist, and to present our audience with the opportunity to track the development and continued reinvention of Bustamante's ideas and artistic language. Though sitting outside recognisable trends in recent art, Bustamante's work has a formal and conceptual contemporaneity, a freshness, that makes it utterly relevant to the way art is made and looked at ...
  • Giorgio Agamben. On Contemporaneity. 2007 4/4 www.egs.edu Giorgio Agamben speaking about the notion of contemporaneity, what does it mean be contemporary, Friedrich Wilhelm Nietzsche, paradigm, anachronism to the present, history, demands of the time, distancing from and belonging to a period, a relationship to time, Alain Badiou, the century, personal experience, blood, and life, historical collective time, the beast, backbone. Free public open philosophy and politics lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007, Giorgio Agamben. Giorgio Agamben, born 1942, is an Italian philosopher who teaches at the Università IUAV di Venezia, the Collège International de Philosophie in Paris and previously at the University of Macerata in Italy. He also has held visiting appointments at several American universities, European Graduate School and at Heinrich Heine University, Düsseldorf. Agamben's best known work includes his investigations of the concepts of state of exception and homo sacer. Agamben received the Prix Européen de l'Essai Charles Veillon in 2006. Agamben was educated at the University of Rome, where he wrote a thesis on the political thought of Simone Weil. Agamben participated in Martin Heidegger's Le Thor seminars on Hera***us and Hegel in 1966 and 1968. In the 1970s he worked primarily on linguistics, philology, poetics, and medievalist topics, where he began to elaborate his primary concerns, though ...
  • Iceberg FW 2011/12 For the coming winter, Iceberg presents a collection dedicated to sensuality and contemporaneity. The charm of the 70's re-interpreted with a modern twist, with an inspiration from French actress Maria Schneider: furs and fringes, knitwear, maxi-pull overs and jackets and trousers with a masculine silhouette.
  • Uchida conducts Mozart's Piano Concerto #20 - Allegro II Mitsuko Uchida conducts and performs. Two and a half centuries after Mozart's birth, Mitsuko Uchida comes as close as any pianist, of the present or the past, to giving his music a quality of contemporaneity, without recourse to exaggeration of any kind, without a hint of "historicity." There is no pedantry in her playing, no self-conscious didacticism, no straight imitation of 18th century practices. She is, however, musicologically highly informed, and characteristically complements this knowledge with practical experience. (cont. on part II)
  • Hotel Roger de Lluria Barcelona Hotel Roger de Lluria Barcelona:Tradition and contemporaneity are gathered in Hotel Roger de LLúria Barcelona. We invite you to discover a more intimate and tailored property. It is located in real Barcelona´s downtown, just a few steps to Plaza Cataluña, Ramblas and shopping Paseo de Gracia area. Hotel Roger de LLúria Barcelona offers an excellent service for you to enjoy a pleasant and warm stay. n our Mirall restaurant, with direct access fron Roger de Lluria street, you will feel in an elegant and warm atmosphere where you can taste catalonian and International Haute cuisine specialities. We offer a seasonal carte, daily menu and a wide range of menus for each event: corporate luncheons, Gala Dinner etc. One of Europe`s most visually stunning cities, Barcelona balance the medieval intimacy of its Gothic Quarter with the grace and distinction of the wide boulevards in the Modern Eixample -- just as the Mediterranean Gothic elegance of the church of Santa Maria del Mar provides a perfect counterpoint to Gaudi`s masterpiece Sagrada Familia Barcelona has long had a frenetically active cultural life. Perhaps most famously, it was the home of architect Antoni Gaudi, whose buildings are the most starling statements of Modernism. Other leading Modernist architect include Luis Domenech i Muntaner and Josep Puig I Cadalfalch. The pintors Joan Mirò and Antoni Tàpies are also strongly identified with Catalonia. Pablo Picasso spent is formative years in Barcelona, and one of the ...
  • Judith Butler. Primo Levi for the Present. 2006 2/10 www.egs.edu Judith Butler, feminist philosopher lecturing about "Primo Levi for the Present"; narrative accounts, forgiveness, holocaust, Auschwitz, victims, execution, war, and crime, while asking the question: "What is to give an Account of Oneself?". Public open lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2006, Judith Butler Judith Butler is the Maxine Elliot professor in the Departments of Rhetoric and Comparative Literature at the University of California, Berkeley and an American feminist and post-structuralist philosopher interested in feminism, queer theory, political philosophy, ethics, zionism, israel, oppression, academic freedom and cultural narrative. Judith Butler is the author of Giving An Account of Oneself; Undoing Gender; Precarious Life: The Powers of Mourning and Violence; Contingency, Hegemony, Universality: Contemporary Dialogues on the Left (with Ernesto Laclau and Slavoj Žižek); Antigone's Claim: Kinship Between Life and Death; The Psychic Life of Power: Theories in Subjection; Excitable Speech: A Politics of the Performative; Bodies That Matter: On the Discursive Limits of "***"; Gender Trouble: Feminism and the Subversion of Identity; and Subjects of Desire: Hegelian Reflections in Twentieth-Century France.

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  • “It is uniting performers from all over the world interested in the research of theatre methods between tradition and contemporaneity. of theatre methods between tradition and contemporaneity. Participants: actors, directors, dancers, choreographers, teachers,”
    — Forum di ,

  • “Recent Articles. Contemporaneity Affection. Categories. Uncategorized Articles. Monthly Search This Blog. Title Contents. Recent Comments. Recent Trackbacks. Visitors Counter. Today's Visitors: 2. Total Visitors: 1315”
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  • “Enwezor's curatorial focus is devoted to radical notions of contemporaneity built mainly on the practice of African artists who his curatorial practice is devoted to radical notions of contemporaneity built mainly on the idea that Diaspora Africans best”
    — Africa South Art Initiative > Artists' Forum: The Curator as, asai.co.za

  • “THEATRE METHODS 07. Between Tradition & Contemporaneity Forum • Festivals and Events • Festival Applications • THEATRE METHODS 07. Between Tradition & Contemporaneity " ThreadTools. Print (Read 452 times) [1] THEATRE METHODS 07. Between Tradition & Contemporaneity "”
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  • “"TM" is the annual professional festival-fair bringing up the question of the Bridge between Tradition and Contemporaneity in performing arts. from all over the world interested in the research of theatre methods between tradition and contemporaneity”
    — Newbury Theatre Message Board - International Festival,

  • “I mentioned the New York Photo Festival in an earlier post on the Altfotonet blog. Fabiono Busdraghi on his Camera Obscura blog recently made a call to deepen the discourse”
    — altfotonet,

  • “Offering a cross-disciplinary forum for reflection and discussion, the symposium will investigate not only the specific ways in which contemporaneity has been and is being mobilized by scholars, critics, artists and curators working today, but”
    — Artsy!Dartsy!, artsy-

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