- Scanning Text: Compare bitonal (left) and grayscale (right) scanning of a stained text page. dpi. When using a 400 dpi bitonal scanner, what would be the size of the smallest character that you could capture with medium quality (QI=5). — “Digital Imaging Tutorial - Conversion”, library.cornell.edu
- Encyclopedia article about Bitonal. Information about Bitonal in the Columbia Encyclopedia, Computer Desktop Encyclopedia, computing dictionary. — “Bitonal definition of Bitonal in the Free Online Encyclopedia”, encyclopedia2
- Duplex model for color, bitonal and grayscale imaging. Perfect Page Scanning with iThresholding makes scanned images incredibly clear —automatically Choose from color, bitonal, grayscale, simultaneous bitonal and grayscale or simultaneous bitonal and color output. — “Kodak i260 | OSAM Document Solutions, Inc”,
- I750 Scanner OverviewFeaturesSpecifications115 ppm, 115, 000 pages per day, Bitonal, color, greyscale, Dual Stream, plus auto orientation; same thr. — “i750 Scanner - Fojhan [Information Technology of IRAN] - I750”,
- Better information clarity and less pre-sorting due to simultaneous bitonal and color scanning. Outstanding image quality, bitonal or color, from Kodak's exclusive Perfect Page Scanning. Great OCR/ICR read rates with electronic color dropout. — “KODAK : Scanner i800”, .au
- Bitonal definition, marked by or using bitonality. See more. — “Bitonal | Define Bitonal at ”,
- Kodak has added iThresholding, a feature that automatically adjusts bitonal brightness and contrast for scanned documents, to its i1860 Series is an on-board solution for bitonal applications that reduces the need for presorting,. — “Kodak i1860”,
- Tags: Automatic color detection, bitonal, data extraction, data recognition, document Tags: Automatic color detection, Bar Code Indexing, Batch scanning, bitonal, data extraction, data recognition, document capture, document preparation, document scanner,. — “Bitonal | Kofax”,
- 33 of the Forty-Four Duos for two violins) as bitonal since "the larger octatonic collection slightly discordant, the music is not bitonal. . — “Bitonal”,
- Bitonal images force computer scanners to treat that dot or point per inch, as set by the resolution, as either a black or white dot. 2. Bitonal whitens the background, creating an even "page tone" for. — “Polymath Paradise: Bitonal TIFFs”,
- Combined Computer Resources is the #1 internet reseller for Kodak, Fujitsu, Canon and Bell & Howell scanners. Color scanning at bitonal speed The i200 Series Scanners are the fastest color scanners in its category, and scan in color at the same speed as bitonal: up to 134 ipm. — “Kodak i260 Scanner”,
- Scale to Gray rounds out the edges of characters by adding shades of gray to the bitonal image. This applies to bitonal images only. Annotations are printed as hatched or shaded areas. — “Setting Preferences”,
- Though slightly discordant, the music is not bitonal. Indeed, it is not even clear that the passage involves two separate chords: a traditional tonal ***ysis might suggest an underlying harmony of E major, with the F acting as an accented passing tone. — “Polytonality - Wikipedia, the free encyclopedia”,
- How to add bitonal image editing support to your applications; Author: Michael A. McCloskey; Section: GDI+; Chapter: Multimedia. — “Bitonal (TIFF) Image Converter for .NET - CodeProject”,
- Bell + Howell's new Auto Color Detect (ACD) feature correctly identifies color documents from bitonal documents automatically—without slowing down or stopping, while scanning is in process. Featuring color, grayscale and bitonal scanning capabilities, superior speed and excellent image quality, the. — “Reynolds Business Systems - Document Scanners - Bell & Howell”,
- bitonal. Definition from Wiktionary, the free dictionary. Jump to: navigation, search bitonal (not comparable) (music, of a musical instrument) That has two tonic centres. — “bitonal - Wiktionary”,
- Duplex model for color, bitonal and grayscale imaging. Perfect Page Scanning with iThresholding makes scanned images incredibly clear —automatically Choose from color, bitonal, grayscale, simultaneous bitonal and grayscale or simultaneous bitonal and color output. — “i280 Scanner”,
- Spectrum's new Auto Color Detect (ACD) feature does exactly as its name suggests—it correctly identifies color documents from bitonal documents automatically—without slowing down or stopping, while scanning is in process. Auto Color Detect - Scanning color for color, bitonal for black and white. — “Systems Imaging - Bell & Howell”,
- Bitonal Images. 1.1.1. Finalize content model for bitonal image Create batch for bitonal image objects. 1.1.4. Move bitonal image objects to FedoraRepo. — “UVa Library: Digital Initiatives - Research and Development”, lib.virginia.edu
- This S-Series Bitonal Scanner supports barcode recognition and endorser/imprinter options, vacuum double-feed detection, electronic deskew during Unparalled Throughput – The S-Series Bitonal Scanner is capable of scanning up to 200 pages per minute (field upgradeable from the S-PRO 180). — “S-Series Bitonal Scanner”, banctec.ca
- Like the single-tone !H* pitch accent, these two bitonal pitch accents with a downstepped H tone can follow any pitch accent with a High tone target. As with other bitonal pitch accents we have seen, the unstarred tone. — “Chapter 2.7/IAP resources for 6.911 [anita.simmons.edu/~tobi”, anita.simmons.edu
- Bitonal The use of two different keys, or tonic centers at the same time. — “Bitonal: Information from ”,
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- The OCR vendor supplied the Library with the full set of results and scans of every sample counted An example is shown in Figure 1 and 2 below Figure 1 DSC bitonal sample Reel 28258 Figure 2 DSC greyscale sample Reel 28258
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- looks bitonal and others it does not Sometimes it recurved and others it didn t Even the color changed as the season progressed Beautiful Please post your pictures here too o
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- Bitonal Heart and Soul If you thought Heart and Soul was annoying in its original, tonic form, then you haven't listened to this version, with the left hand transposed up a half-step.
- Space Soundtrack: Scene from 2001: A Space Odyssey A college assignment, a scene from 2001: A Space Odyssey that my professor had on the lab computer. I wrote the music and programmed all the synths, etc. I later tried it with the original film and discovered that this clip was somehow slowed down, and the scene is actually faster. I think this would have been 2006 or 2007
- Polyphonic and flowing improvisation This Improvisation starts with a simple Arpeggio. But it shifts in a hurry into a Polyphonic Texture. Somewhat, polyphony shift into a flowing texture. At the end, something echoing Jazz: a chord in which there's a sort of Tonality Overlapping (Major mode with the Natural Third, shifting into a Bi tonal path). I hope you may enjoy!
- Ives: Variations on "America" (arr. piano) Variations on America by Charles Ives, originally for organ. I wrote an arrangement of this piece when I was in junior high or high school, but never really tried to play it until now. I still seemed to mess it up plenty.
- PolyPhonica Turntablism: Animals Loop Cover Impro The Result: A manual polyphonic bitonal echo effect. By DJ D-Joint Tilos Radio 90.3 FM Budapest
- AX Rijkswacht - Gendarmerie BITONAL Citroen AX Rijkswacht/Gendarmerie
- GreenSleeves arranged by Dave Brubeck (piano) Db in the right hand and Bb in the left hand except the central swing section which is Db in both. Third time of uploading, getting better all the time but still not perfect!! Will it ever be! Hope you enjoy it I've spent a few days on it and might not do any more to enhance it.
- bitonal improvisation mark johnson piano improvisation
- Variations on Juggler's Etude semi-improvised variations on Juggler's Etude. The original composition is a 20 second bitonal study by Ralph Towner, taken from his book 'Improvising Jazz Guitar'.
- Ives: "Thanksgiving and Forefathers' Day" 1/2 Charles Ives: Thanksgiving and Forefathers Day (1904) from "A Symphony: New England Holidays"
- Kofax VRS - Move Your VRS License To Another PC Learn how to deactivate your current VRS license and move your copy of VRS to a new machine.
- RAY PIZZI Sax, Bassoon "I'm Late, I'm Late" FOCUS 3rd movt. (orchestral live) "I'm Late-I'm Late" Focus 3rd movt. by Eddie Sauter, conducted by Jack Elliot with Henry Mancini Institute Orchestra-1999. Ray Pizzi Sax Soloist. The piece was composed for Stan Getz, 1961 in the midst of the third stream movement that intergrated jazz and classical music. ...A music history factoid...Stan Getz also studied Bassoon with Simon Kovar. The orchestral piece, mostly improvised for Tenor Sax, contains interesting features as bi-tonal scales and complex time signatures. In Loving Memory of Jack Elliot, Friend, Composer, Arranger, Conductor and FOUNDER of the Henry Mancini Institute. Thanks for all the beautiful Music and Thrills Jack.
- Benjamin Britten - music for two pianos Excerpt from Britten's Introduction and Rondo Alla Burlesca op.23 for two pianos.
- AS3690t From The Envelope One Touch Processing Processing From The Envelope on the Opex AS3690t. Running the machine with the envelopes pre-slit (top cut) Contents pulled, prepped and dropped to the conveyor for scanning. Envelopes of all sizes are being processed. Contents of all sizes and physical condition are being captured Magnetic and Electronic MICR reads are performed on the checks and the checks are sorted to their own bin. Scanlines and barcodes are also being read and the page types are sorted to their designated bins. Touch screen is sometimes used to assign Page ID or Transaction values while scanning Rescans are performed as needed without interrupting the process flow Touch screen is also used to orient documents on screen when needed Scanner is in Stack Feed mode, duplex, 200 dpi, BW Bitonal TIFF output with an OXI data file. Transactions types are very different (Check/Stub, Check/Form, Check Onlys, Form Onlys, Multis, Singles, No Money) processed in the same job. Envelopes are used to start each transactions All documents are being physically imprinted with an auditrail on the front and/or back of each page. Many pages are also receiving and electronic audit trail. Some unique and some mimic the physical audit trails. Batches are then fed through MavBridge to create like transactions and distributed to the appropriate downstream processes.
- RAY PIZZI Sax, Bassoon "FOCUS" 2nd movt. (orchestral live) "FOCUS", composed by Eddie Sauter featuring RAY PIZZI on Tenor Sax, conducted by Jack Elliot with Henry Mancini Institute Orchestra-1999. The piece was composed for Stan Getz, 1961 and was in the midst of the third stream movement, intergrating jazz and classical music. A music history factoid....Stan Getz also studied Bassoon with Simon Kovar. This is the 2nd movement "Pan" The piece is 90% improvised for Tenor Sax, containing interesting features as bi-tonal scales and complex time signatures. In Loving Memory of Jack Elliot, Friend, Composer, Arranger, Conductor and FOUNDER of the Henry Mancini Institute. Thanks for all the beautiful Music and Thrills Jack.
- Keith Whalen - Slonimsky Examples: Heptatonic and Bitonal Arpeggios. Herein lies a few examples of Heptatonic and Bitonal arpeggios from Nicolas Slonimsky's "Thesaurus of Scales and Melodic Patterns". Heptatonic arpeggios are executed by playing the 1st, 3rd, 5th and 7th degrees of a respective diatonic scale and then followed by the 2nd, 4th and 6th tones...
- Toccata - John Richard Ahern Original composition by John Richard Ahern
- Tethys Ensemble with Ursula Amsler - I bi tonal This music is from the Appenzell region in Switzerland. The singing is, as far as I know, a modern variation of the tradition that the Swiss call "zäuerli". Taken from a TV documentary in the series "European Roots". More from the same program: - -
- Eddy White ***tet- The Shaman This is of my own compositions. Featuring solos from Andy Daniels (piano) and Piers Green (alto saxophone).
- Inotec 400 Series - High Volume Document Scanner From Genus Genus are the exclusive UK and Ireland distributor for the Inotec range of production document scanners. They are ideal for large volume end user clients such as Insurance, NHS, Census, Election and Mailroom applications as well as busy Document Conversion Bureaus. The Inotec 402, 412 and 422 scanners offer bitonal / colour throughput of between 90 to 150ppm and are characterised by a number of key advantages. •No Daily Volume Limits •No Consumable Costs •Minimal consumable requirements •Incredibly low life time ownership costs •90 and 120ppm models upgradeable as required All scanners will be supported by Genus nationwide in-house field maintenance engineers.
- Béla Bartók - Improvisations on Hungarian Peasant Songs Improvisations on Hungarian Peasant Songs for piano, Sz. 74, BB 83 (Op. 20) (1920) I. Molto moderato II. Molto capriccioso III. Lento rubato IV-V. Allegretto scherzando -- Allegro molto VI. Allegro moderato, molto capriccioso VII. Sostenuto rubato VIII. Allegro Claude Helffer, piano The Eight Improvisations on Hungarian Peasant Songs for piano marked a significant moment in Bartók's oeuvre, the point at which he began to treat folk tunes as malleable musical material. Instead of taking a simple folk tune and harmonizing it, Bartók was now manipulating the folk tunes, transforming and shaping them to fit his compositional needs while still retaining their original spirit. Folk music is at the heart of nearly all of Bartók's compositions, beginning with his works at the end of the first decade of the twentieth century. By this point, Bartók had spent several years collecting folk tunes from all over Eastern Europe. For Bartók, folk music served as raw material for composing art music, and indeed the musical idioms of Hungarian, Romanian, and Slovakian folk music became a fundamental part of Bartók's compositional style. These Improvisations show Bartók realizing, perhaps for the first time, the true fecundity of the folk music he had come to know so well. The first Improvisation is a very simple setting of the original melody, with very little variation of the tune, which is repeated three times, followed by a coda. The melody is modal, derived from the C Dorian mode. It is ...
- Kodak i2400 - i2600 - i2800 Document Scanners The Kodak i2400, i2600, i2800 range of scanners can scan documents from 30 sheets per minute upto an amazing 70 sheets per minute black and white, greyscale or colour modes, Thats upto an impressive 140 images per minute in duplex mode. The ergonomically designed feeder can be tilted for most convenient operator angle, and ultrasonic multi feed detection ensures feeding of single sheets. The feeder handles documents ranging from plastic ID cards to A4 paper, as well as up to 863 mm long documents. Attachable A4 and A3 flatbed options are available, allowing image resolutions up to 1200 dpi. By the touch of a button the Kodak Smart Touch feature allows the user to scan documents to print, network folders, or desktop applications as well as Microsoft SharePoint. Up to 9 scanning destinations can be pre-configured and the file format can be TIFF, JPEG, RFT, PDF or searchable PDF. Top Features Dual LED illumination, Adjustable feeding angle Solid scanning platform with aluminium paper path. 5 output options: bitonal, greyscale, colour 2 x Dual Stream (simultaneous bitonal and greyscale or bitonal and colour) Smart Touch feature to select a scanning application Processes all kinds of paper between 34 - 413 gsm Ultrasonic double feed control Working environment: The Kodak i2000 range of scanners are suitable for applications from 3000 pages right up to 6000 sheets per day. Most documents up to A4 width in a typical office can be scanned, and the optional ...
- Changing atonal chords to bitonal chords I made one mistake that is against the rule of consonance in the last chord. Never mind.
- Bitonal(ish) arps Here's a little insight to some ideas i've been working on incorporating into my improvising and composing.
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- Bridge - Piano Sonata; I (Part 2/2) First movement from the Piano Sonata (1921-24) According to Andrew Burn "As a pacifist of deep conviction Bridge was scarred by the misery caused by World War I. It is known that he was so distressed by the news from the battlefields that he would wander the streets by himself at night, mulling over the carnage. Furthermore his response to the war also seems to have triggered a stylistic crisis in his music, and a need to develop a more radical harmonic voice to express himself. The first major manifestation of this new style was his most important solo work for piano, the Sonata... The Piano Sonata was composed between Easter 1921 and May 1924, and since Harold Samuel, the pianist Bridge initially had in mind to give the première, found it bewildering, its first performance was played by Myra Hess on 15 October 1925 at the Wigmore Hall. Bridge dedicated the sonata to the memory of his composer friend, Ernest Bristow Farrar, who had been killed in action in 1918 aged 33. It was the first of Bridge's works to receive a mauling by the critical fraternity: for instance The Daily Telegraph reviewer felt it was 'inclined to dourness throughout', whilst in The Morning Post it was dismissed as a 'disappointment'. The characteristics of Bridge's late style are foreshadowed in the sonata. There is dissonance arising from bi-tonal and intensely chromatic harmony; the phrase structure differs from the smoothness of his earlier music, reflecting the more complex harmony, with ...
- George Washington Bridge by William Schuman (2010) George Washington Bridge By William Schuman Conducted by David Jeong at New England Conservatory, Boston. Oct. 28, 2010
- Saudades do Brasil Selections from Saudades do Brasil (1920-21) by Darius Milhaud, performed on marimbas by Kyle Davison and Ian Disjardin. IV: Copacabana II: Botafogo VII: Corcovado VI: Gavea In 1917, Milhaud accompanied the French poet Paul Claudel to Brazil for two years, where Claudel served as an ambassador. The beautiful setting, vibrant culture, and cheerful music had a profound effect on Milhaud, whose experiences crystallized in the two volume collection for piano, Saudades do Brasil, which was published in 1920-21. In Portuguese, a saudade is a fond yet bittersweet remembrance. The twelve movements of Saudades ¬ named after districts in Rio de Janeiro pay respect to the style and flavor of Brazilian choro while adding the element of bitonality, the simultaneous use of two key signatures. This piece was simple to adapt for marimbas; one performer plays the piano right hand and the other plays the left.
- BITONAL Goldberg Variations - Aria Sometimes, when I'm bored, I practice pieces this way, to see how well I understand the tonality of the different voices. This is me playing the Aria from JS Bach's Goldberg Variations, BWV 988. The right hand is in the correct key of G, but I transposed the left hand to G-flat. I then play it a second time correctly, with both hands in G. If you can't stand the atonal version -- and I wouldn't blame you at all for that -- the proper version starts at about 2:12.
- (3/7) Mauffray conducts Bartok "Bluebeard's Castle" Bartok Bela: A Kékszakállú Herceg Vára This third video excerpt begins when Judith opens the 2nd door, and a beam of orange colored light is cast upon the floor next to the red light from the first door. A martial fanfare is heralded on the Trumpet which is soon echoed by the French Horn. Throughout this passage, the rhythmic meter is constantly changing. Bluebeard asks what she sees (Hungarian "mit latsz?"). Judith describes the cruel weapons in his armory. When she notices that there is blood on the weapons, Bluebeard again asks if she is afraid ("felsz-e?"). This time, the "blood motive" of a minor 2nd is played on the muted French Horns and Trumpets after a short roll on the Snare Drum [0:29]. Judith once more boldly asks for keys to all the other locked doors. She alternates her assertive demands by tenderly pointing out how the light is beginning to radiate his castle. Notice the beautiful rubato of the folk-like melodies here played by English Horn [1:06], Clarinet, and then the warmth of the Violins. This is perhaps the most tender loving moment of the opera and not yet effected by angst. Bluebeard's reply to her is introduced by a repeated c# minor chord played by the Harp [2:22]. Bartok creates a unique new color (perhaps red and orange?) by adding a bi-tonal element with the melody played on the French Horn in a-minor. He tells Judith that she is making his castle walls tremble with rapture. He says that he will give her only three more keys. She may look, but ...
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- San Francisco Choral Artists sings Ives' Psalm 67 SFCA sings Charles Ives' Psalm 67, dating from 1894, at St. Mark's Lutheran Church in San Francisco, March 14, 2010, directed by Magen Solomon. The piece is bi-tonal, with the men in G-minor and the women in C-major simultaneously. A very nice description can be found at For more about San Francisco Choral Artists or their director Magen Solomon, please visit . It's a privilege to be able to sing with this fine group, if only for one season!
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- 1988 New Jersey All State Chorus performs "Psalm 67" by Charles Ives
- Bridge - Piano Sonata; I (Part 1/2) First movement from the Piano Sonata (1921-24) According to Andrew Burn "As a pacifist of deep conviction Bridge was scarred by the misery caused by World War I. It is known that he was so distressed by the news from the battlefields that he would wander the streets by himself at night, mulling over the carnage. Furthermore his response to the war also seems to have triggered a stylistic crisis in his music, and a need to develop a more radical harmonic voice to express himself. The first major manifestation of this new style was his most important solo work for piano, the Sonata... The Piano Sonata was composed between Easter 1921 and May 1924, and since Harold Samuel, the pianist Bridge initially had in mind to give the première, found it bewildering, its first performance was played by Myra Hess on 15 October 1925 at the Wigmore Hall. Bridge dedicated the sonata to the memory of his composer friend, Ernest Bristow Farrar, who had been killed in action in 1918 aged 33. It was the first of Bridge's works to receive a mauling by the critical fraternity: for instance The Daily Telegraph reviewer felt it was 'inclined to dourness throughout', whilst in The Morning Post it was dismissed as a 'disappointment'. The characteristics of Bridge's late style are foreshadowed in the sonata. There is dissonance arising from bi-tonal and intensely chromatic harmony; the phrase structure differs from the smoothness of his earlier music, reflecting the more complex harmony, with ...
- Kassovitz - A vízipipa füstjében/In the smoke of the Hookah Kassovitz Artúr: A vízipipa füstjében/In the smoke of the Hookah Elképzelt hangulat a vízipipázásról. An imaginetive spirit while smoking the Hookah
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“These black steel vases spiral skyward like an industrial construction project gone awry against cold steel, the vision of bitonal lipstick roses nesting in onyx columns, is”
— Home | Lifestyle | Splendora,
“Bennett Lovett-Graff, Publisher of Content Solutions at National Archives Publishing Company, has started a blog called Polymath Paradise. Bitonal TIFFs and more. Although Lovett-Graff works for NAPC, this blog doesn't talk about NAPC but about”
— Digitization 101: New blog: Polymath Paradise,
“Read peripheral discussions and get tips and advice on this topic and others on CNET Forums. CNET's Forum on peripherals is the best source for finding help, troubleshooting, and getting buying advice from a”
— Peripherals Forum and Discussion - CNET Forums,
“Piano Forums at Piano World.The Piano Forums are an online community of piano lovers including piano industry professionals, concert artists, recording artists, technicians, dealers, manufacturers, and thousands of enthusiastic amateur pianist”
— Bitonal pieces - Piano World Piano & Digital Piano Forums,
“ .org and weekly columnist for , and he'll maintain his personal blog, Word Munger and his obsessively-updated Twitter account. Greta) wondered if years of musical training were really necessary for non-musicians to hear bitonal music”
— 21 " January " 2010 " Random Information, x-
“a guitarist's notebook: blog. The Be Bop Tradition. Bitonal Pentatonic Scales - IV. Bitonal Pentatonic Scales - III. Bitonal Pentatonic Scales - II. Bitonal Pentatonic Scales - I”
— a guitarist's notebook: blog,
“Saboteur II (1987, c64, Hubbard) Bitonal remix v2.0. back to forum - post a new reaction. Posted by eftosrx Saboteur II (1987, c64, Hubbard) Bitonal remix v2.0. http:///download/Eftosrx-SaboteurIIv2.0”
— - forum - Music Announce,
“Tracking the latest developments in interactive rendering techniques public domain image from the web, converted it to a bitonal image so it would be jaggy, then applied MLAA to”
— Real-Time Rendering · Intel,
“From private lessons, his compositions and playing in his small group (the "21st Century Bebop Band") I was exposed to a LOT of bitonal/pantonal music. Here I will give a brief introduction to bitonality and share some insights I've gained along the way”
— listening for music: Bitonal Concepts in Jazz,
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