affectless

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  • showing or expressing no emotion; also : unfeeling. — “Affectless - Definition and More from the Free Merriam”, merriam-
  • Find dictionary definitions, audio pronunciations, and spellings for affectless in the free online American Heritage Dictionary on Yahoo! Education. — “affectless - Dictionary definition and pronunciation - Yahoo!”,
  • Definition of affectless in the Legal Dictionary - by Free online English dictionary and encyclopedia. What is affectless? Meaning of affectless as a legal term. What does affectless mean in law?. — “affectless legal definition of affectless. affectless”, legal-
  • This low-budget independent feature, originally made for the home-video market, has a stark, relentless quality that is sometimes mistaken for art. Like Leonard Kastle's "The Honeymoon Killers" (1970), it's a deliberately flat, affectless. — “Henry: Portrait of a Serial Killer : The New Yorker”,
  • affectless adj. Having or showing no emotion; unfeeling: 'Mass-culture b***ity is killing our souls and making everybody affectless' (New Yorker). — “affectless: Definition from ”,
  • The name Tancho was originally bestowed on a Kohaku that was completely affectless with the omission of a about, red "emblem" on the core of its This Tancho Kohaku is well loved by the Japanese people as it rethoughtss them of their state affects, a red sun on a affectless turf. — “KOI CARP COLLECTION - The Healthy Koi: November 2006”, koleksi-koi-
  • affectless. Definition from Wiktionary, the free dictionary. Jump to: navigation, search affectless (comparative more affectless, superlative most affectless). — “affectless - Wiktionary”,
  • Richard Nixon had met Henry Kissinger only once before he asked him, on his landslide victory in 1968, to be his National model for international relations: affectless, morally contentless, based simply on. — “Kissinger's Year: 1973 | Alistair Horne | Review by The Spectator”,
  • When a woman's partially decomposed body washes ashore in Paradise, Massachusetts, police and Claudia; and not her curiously affectless parents, living out a sterile retirement in. — “ - Sea Change eBook”,
  • CHARLOTTESVILLE, Va.—They're an unlikely trio: the earnest, affectless professional in the bland dark pantsuit; the stunning blonde in the lipstick-red shift dress; and the elegant, cerebral brunette in the slim pants and cardigan. But in the. — “Lilly Ledbetter, Jill Biden, and Michelle Obama on the trail”,
  • Affectless: Shopping resources and information at . — “Affectless”,
  • Definition of affectless in the Online Dictionary. Meaning of affectless. Pronunciation of affectless. Translations of affectless. affectless synonyms, affectless antonyms. Information about affectless in the free online English dictionary and. — “affectless - definition of affectless by the Free Online”,
  • Both aim for some kind of universality that gets lost in affectless prose and numbing cycles of copping, shooting, kicking and complaining. Perhaps that explains why books that are just about heroin can be so flat, so affectless. — “MetroActive Books | Junkie Literature”,
  • The chairman of Barclays Capital, Bob Diamond, a masked man seemingly devoid of affect, defended City bonuses to Jeff Randall last night. Meanwhile, Guido puts Affectless Bob. The chairman of Barclays Capital, Bob Diamond, a masked man seemingly devoid of affect, defended City bonuses to. — “Affectless Bob | Bryan Appleyard”,
  • But the b*** remembered particulars are less upsetting—and less revealing, in a suggestive way—than the affectless glimpses of the soon-to-be-departed through Steel's long-range lenses. At first gla. — “Suicide Club - Page 1 - Movies - Orange County - OC Weekly”,
  • 3.72 avg rating - 493 ratings - 43 reviews - isbn 0679751831. DoctorM said: I've always been in love with Joan Didion's reportage, with the dry, affectless, distanced language that. — “Salvador by Joan Didion - Reviews, Discussion, Bookclubs, Lists”,
  • Affectless definition, lacking feeling or emotion; indifferent to the suffering of others: See more. — “Affectless | Define Affectless at ”,
  • An Arsonist's Guide to Writers' Homes in New England By Brock Clarke Algonquin Books of Chapel Hill, 303 pp., $23.95 Clarke's affectless account torches the literary scene. — “Clarke's affectless account torches the literary scene - The”,
  • Definition of affectless from Webster's New World College Dictionary. Meaning of affectless. Pronunciation of affectless. Definition of the word affectless. Origin of the word affectless. — “affectless - Definition of affectless at ”,
  • affectless, anesthetized, arctic, autistic, blunt, catatonic, chill, affectless, anesthetized, arctic, autistic, blunt, callous, calloused,. — “icy - - Free Thesaurus Tool for Word Discovery”,
  • affectless. affenpinscher. afferent. affettuoso. affiance. affidavit. affidavit of performance affectless. af·fect·less [ ə féktləss ] adjective. Definition: without emotion: feeling or. — “affectlessness definition - Dictionary - MSN Encarta”,

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  • help himself and got out a single lick just as the performance ended There are often instances when Davey s smiles look fake and affectless and it reminds me of the archaic smile from ancient Greek sculpture Who knew they had Athenian Idol way back in the day
  • I study some more And what I ve learned during the aughts is this is the most graceless age in the history of our species It has to be without question Look at how we live our lives Look at the endless monotony the affectless artless aesthetically sterile environment in which we spend our days weeks months and years We live thusly for reasons of efficiency to
  • the time he acts out scenes from home movies and joins the maid Sabina in bed with a watermelon you begin to suspect that what Chekhov said about loaded guns might eventually come into play Ferreri s tone remains affectless throughout underscoring the weirdness of the material and Piccoli comes off as simplemindedly bemused as if suffering from a head injury that has turned
  • and approaches with which to approach the human body and articulates the dreamlike breakdown that occurs when we do not sweep our loved ones into the visual shorthand of our binocular view I particularly like the sculptures that are unemotional casual and affectless They have the grim squeamish pixelated demeanor of a Sims character The horror of The Sims to me comes
  • adolesce ㆍ adolescence adolescent drome ㆍ aerodrome affect1 affection affectionate affectionately affectless affect2 affectation affected affecting alabaster ㆍ
  • Kunming s topology of affectless skyscrapers is interrupted by nicely preserved or faithfully reconstructed traditional architecture like these gates Iowans shown for scale Garish light shows were a constant in the places we visited Kunming had some of the more tasteful displays
  • affect1 affection affectionate affectionately affectless affect2 affectation affected affecting alabaster ㆍ alder ㆍ alderman alga ㆍ
  • Sister City of Des Moines to the picturesque southern capitol of Kunming After Kirk and Austin wrapped up their Beijing business a day after Super Gambei we grabbed a plane south Kunming s topology of affectless skyscrapers is interrupted by nicely preserved or faithfully reconstructed traditional architecture like these gates Iowans shown for scale
  • second or third hand through TV and print through images that become b*** and disassociated by repeated again and again and again there is role for affectless art Warhol thought that you no longer needed to be hot and full of feeling rather you could be supercool like a slightly frosted mirror he felt this and embodied
  • drome ㆍ aerodrome affect1 affection affectionate affectionately affectless affect2 affectation affected affecting alabaster ㆍ alder ㆍ alderman
  • Hole Only here a note sneaks in of desperation and fear with regard to *** or the future that isn t immediately apparent in the affectless lifelike voices in Burns s comics captions McGuire s short finally is just so damn smart about every little thing In each of his chosen mediums the man s an innovator stripping down dance music to its essentials with Liquid
  • of an affectless manikin irreparably scarred by HAL s betrayal but a logical and rational conclusion to all the upward steps of exploration humanity has taken earlier in the book Rational exploration is also a hallmark of Rendezvous with Rama 1973 Clarke s next novel It illustrates one of his great strengths the ability to create the most striking visual

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  • The Long Goodbye (1973) Part 3 Raymond Chandler's cynically idealistic hero, Philip Marlowe, has been played by everyone from Humphrey Bogart to James Garner--but no one gives him the kind of weirdly affect-less spin that Elliott Gould does in this terrific Robert Altman reimagining of Chandler's penultimate novel. Altman recasts Marlowe as an early '70s LA habitué, who gets involved in a couple of cases at once. The most interesting involves a suicidal writer (Sterling Hayden in a larger-than-life performance) whom Marlowe is supposed to keep away from malevolent New-Ageish guru Henry Gibson. A variety of wonderfully odd characters pop up, played by everyone from model Nina Van Pallandt to director Mark Rydell to ex-baseballer Jim Bouton. And yes, that is Arnold Schwarzenegger (in only his second movie) popping up as (what else?) a muscleman. Listen for the title song: It shows up in the strangest places.
  • The Long Goodbye (1973) Part 2 Raymond Chandler's cynically idealistic hero, Philip Marlowe, has been played by everyone from Humphrey Bogart to James Garner--but no one gives him the kind of weirdly affect-less spin that Elliott Gould does in this terrific Robert Altman reimagining of Chandler's penultimate novel. Altman recasts Marlowe as an early '70s LA habitué, who gets involved in a couple of cases at once. The most interesting involves a suicidal writer (Sterling Hayden in a larger-than-life performance) whom Marlowe is supposed to keep away from malevolent New-Ageish guru Henry Gibson. A variety of wonderfully odd characters pop up, played by everyone from model Nina Van Pallandt to director Mark Rydell to ex-baseballer Jim Bouton. And yes, that is Arnold Schwarzenegger (in only his second movie) popping up as (what else?) a muscleman. Listen for the title song: It shows up in the strangest places.
  • Bret Easton Ellis Slams Self-Censorship Among Artists Complete video at: fora.tv Himself no stranger to controversy, author Bret Easton Ellis (American Psycho, Less Than Zero) criticizes a tendency among his fellow writers to practice self-censorship in order to appeal to a more mainstream audience. "If you're going to do audience testing before you write to see what's going to upset people," says Ellis, "you might as well be in advertising." ----- Elusive cult author Bret Easton Ellis fronts up to his first ever writers' festival in Byron Bay and talks psychos, film studios and moral boundaries in fiction. The sometimes controversial author of cult novels such as American Psycho and Less than Zero speaks with ABC Sydney radio host Simon Marnie -- with some trepidation -- about his approach to the writing process. Along the way, he takes us through the journey of being courted and sometimes disillusioned by the Hollywood studios, the furor surrounding the violence in American Psycho and the politics of serial killers. - Australian Broadcasting Corporation Bret Easton Ellis is an American novelist and short story writer. He was regarded as one of the so-called literary Brat Pack, which also included Tama Janowitz and Jay McInerney. He is a self-proclaimed satirist, whose trademark technique, as a writer, is the expression of extreme acts and opinions in an affectless style. Ellis employs a technique of linking novels with common, recurring characters. Among his best known novels are Less Than Zero, American Psycho, and Rules ...
  • \ / ][ |\| y |_ (1965) 3 On perhaps the opposite end of the spectrum in terms of sleekness is Andy Warhol's dirty, ragged Vinyl, his film adaptation of Anthony Burgess' novel A Clockwork Orange. Fans of Kubrick's version from 6 years later would probably have a hard time at first recognizing the story amid Warhol's static mise-en-scène and the stilted, halting performances of his untrained actors. Factory regular Gerard Malanga plays the lead, Victor, in one of the most hilariously bad performances ever put on film. He sounds like he's auditioning, poorly, for a high school play, and the other actors aren't much better. The exceptionally long takes don't help matters, as flubbed lines and stammers are left in along with blank moments while the actors search for the next bit. Clearly, realism and emotional investment are far from Warhol's mind here; all the actors show about as much interest in the story as they would in a gum wrapper on the street. This disconnection is coupled with Warhol's decision to film the entire thing from a static viewpoint. There are just three shots in the hour-long film, and all the "action" is limited to one tiny corner of a room where all the characters are crammed into the shot. The net effect is that the story becomes curiously flat and affectless, mirroring the numbing of Victor's mind that accompanies his transformation from bad to "good." In Warhol's version of the story, form and content are truly married; if Burgess' story is a parable on the dangers of ...
  • Crystal Castles : Courtship Dating [ official ] There's something paradoxically comforting about Crystal Castles' spooky electro skree. The lo-fi blips and bleeps of tracks like "Courtship Dating" are, after all, the sounds of an entire generation's video-game innocence, no matter the neighing screams or gothy moodiness that envelop them here. For all the Knife-like dehumanizing vocal effects producer/multi-instrumentalist Ethan Fawn uses to render Alice Glass's shrill, affectless vocals occasionally incomprehensible, the Toronto duo are generous with melodic hooks on this one. And what lyrics are discernible suggest Glass is singing a tale as old as time: "How do I feel for thee?" Song as old as rhyme. Beauty and the "Altered Beast". Directed by Marc Pannozzo, the video for "Courtship Dating" wisely focuses on Crystal Castles' dual personalities, in all senses of that phrase. The scene is shrouded in darkness, with strobe-like effects coming up whenever we see Fawn. But the focus is Glass, toying with her hoodie and singing from the night into the flashing light. It's both bleakly atmospheric and, since there's little to see here other than two people, approachably, if a bit disturbingly, human. Heard Crystal Castles playing in a record store halfway across the world last week, and all that death- and savagery-ridden 8-bit electro-slash suddenly felt like home.
  • Let's Play Final Fantasy #14 - The Vampire In this episode, we face the evil, yet pitifully weak, Vampire. Also, we visit the Titan in his tunnel. As a minor correction to what I said in the video, Specters actually have slightly less HP than Geists. I'm really only worried about Ghouls and Geists, as they are the only ones that can hit you multiple times per round, giving them more chances to stun you. Also, please give me feedback on the way I handled the battle transitions in this video. I tried cutting less off my video before and after the battles. This allows the pixelated transition effect that I put on top of it to affect less of my commentary. Also, I no longer lose the first few steps after a battle, which may have been slightly confusing. I really appreciate your comments. Thanks for watching.
  • \ / ][ |\| y |_ (1965) 2 On perhaps the opposite end of the spectrum in terms of sleekness is Andy Warhol's dirty, ragged Vinyl, his film adaptation of Anthony Burgess' novel A Clockwork Orange. Fans of Kubrick's version from 6 years later would probably have a hard time at first recognizing the story amid Warhol's static mise-en-scène and the stilted, halting performances of his untrained actors. Factory regular Gerard Malanga plays the lead, Victor, in one of the most hilariously bad performances ever put on film. He sounds like he's auditioning, poorly, for a high school play, and the other actors aren't much better. The exceptionally long takes don't help matters, as flubbed lines and stammers are left in along with blank moments while the actors search for the next bit. Clearly, realism and emotional investment are far from Warhol's mind here; all the actors show about as much interest in the story as they would in a gum wrapper on the street. This disconnection is coupled with Warhol's decision to film the entire thing from a static viewpoint. There are just three shots in the hour-long film, and all the "action" is limited to one tiny corner of a room where all the characters are crammed into the shot. The net effect is that the story becomes curiously flat and affectless, mirroring the numbing of Victor's mind that accompanies his transformation from bad to "good." In Warhol's version of the story, form and content are truly married; if Burgess' story is a parable on the dangers of ...
  • The Value of Studying Rare Diseases Orphan diseases, or rare diseases, are individual diseases that affect less than 200000 people. Approximately 30 million people nationwide have a rare disorder, which are typically genetic, and thus are present throughout the person's life. Rare diseases often get overlooked yet there is a great need for more therapies to treat and study them further. Join Hal Hoffman, MD, as he explores a number of these overlooked diseases and sheds light on why it is important to better understand them. Series: "LeNoir - NMA Pediatric Lecture Series" [3/2011] [Health and Medicine] [Professional Medical Education] [Show ID: 20691]
  • \ / ][ |\| y |_ (1965) 6 On perhaps the opposite end of the spectrum in terms of sleekness is Andy Warhol's dirty, ragged Vinyl, his film adaptation of Anthony Burgess' novel A Clockwork Orange. Fans of Kubrick's version from 6 years later would probably have a hard time at first recognizing the story amid Warhol's static mise-en-scène and the stilted, halting performances of his untrained actors. Factory regular Gerard Malanga plays the lead, Victor, in one of the most hilariously bad performances ever put on film. He sounds like he's auditioning, poorly, for a high school play, and the other actors aren't much better. The exceptionally long takes don't help matters, as flubbed lines and stammers are left in along with blank moments while the actors search for the next bit. Clearly, realism and emotional investment are far from Warhol's mind here; all the actors show about as much interest in the story as they would in a gum wrapper on the street. This disconnection is coupled with Warhol's decision to film the entire thing from a static viewpoint. There are just three shots in the hour-long film, and all the "action" is limited to one tiny corner of a room where all the characters are crammed into the shot. The net effect is that the story becomes curiously flat and affectless, mirroring the numbing of Victor's mind that accompanies his transformation from bad to "good." In Warhol's version of the story, form and content are truly married; if Burgess' story is a parable on the dangers of ...
  • Jalalabad - Kabul Bank shooting - security video In this video you see a captured insurgent and security video showing how he entered the bank dressed as a police officer and started firing. Several things stand out. Firstly, he looks like a clean cut young man, nothing like what we have learned to think of as insurgent or terrorist. Second, while he is firing hordes of people run past him, within a foot in distance, and none of them give his vulnerable backside a good whack. *** from NYT: The one caught by the police appeared at the news conference in a blood-stained salwar kameez, the traditional loose pants and tunic, his hair uncombed and a glazed look in his eyes. It was unclear if the blood was from wounds he had received during the attack or if he had been beaten during his capture or interrogation. Sounding affectless and exhausted, he said his name was Zar Hajam Khan and that he came from North Waziristan, a tribal area of Pakistan where the Haqqani network is based. "I studied in the Haqqani madrasa for three months and they trained and equipped me and my friend," he said. He named at least three people who had helped him prepare for the attack, including the man who brought him to the bank on Saturday. He said he first came to Jalalabad several weeks ago when a man who helped organize the attack took him to observe the bank. "They gave us training and instructions about how to enter and how to attack, and they gave us the ANA uniforms," he said, referring to the Afghan Army uniforms the ...
  • \ / ][ |\| y |_ (1965) 5 On perhaps the opposite end of the spectrum in terms of sleekness is Andy Warhol's dirty, ragged Vinyl, his film adaptation of Anthony Burgess' novel A Clockwork Orange. Fans of Kubrick's version from 6 years later would probably have a hard time at first recognizing the story amid Warhol's static mise-en-scène and the stilted, halting performances of his untrained actors. Factory regular Gerard Malanga plays the lead, Victor, in one of the most hilariously bad performances ever put on film. He sounds like he's auditioning, poorly, for a high school play, and the other actors aren't much better. The exceptionally long takes don't help matters, as flubbed lines and stammers are left in along with blank moments while the actors search for the next bit. Clearly, realism and emotional investment are far from Warhol's mind here; all the actors show about as much interest in the story as they would in a gum wrapper on the street. This disconnection is coupled with Warhol's decision to film the entire thing from a static viewpoint. There are just three shots in the hour-long film, and all the "action" is limited to one tiny corner of a room where all the characters are crammed into the shot. The net effect is that the story becomes curiously flat and affectless, mirroring the numbing of Victor's mind that accompanies his transformation from bad to "good." In Warhol's version of the story, form and content are truly married; if Burgess' story is a parable on the dangers of ...
  • Almanac's Governor's Debate. Almanac with Cathy Wurzer and Eric Eskola hosted the Governor candidates. ;In another room were Mary Lahammer and Rachel Stassen-Berger of the Star Tribune with voters and tweeters, watching and responding online.
  • እጅጋየሁ ሽባባው...ኢትዮጵያ.wmv Produced by world music mastermind Bill Laswell, who has worked with artists ranging from Herbie Han*** to Morocco's Master Musicians of Joujouka, Gigi's album is an organic flowering of ancient Nile rhythms, contemporary jazz virtuosity, pan-African rhythm, and dub-reggae studio wizardry. Percolating around Gigi's rich, affectless voice are a team of master musicians that include saxophonists Wayne Shorter, Henry Thredgill, and Pharoah Sanders; guitarist Nicky Skopelitis; percussinists Aiyb Dieng and Karsh Kale; and Laswell himself on bass. From "Guramayle," a sweeping pop number kitted out in soulful organ swells, to the West African styled "Mengedegna," the rugged horn-laden Ethio-funk of "Tew Ante Sew," and dark dub energy of "Sew Argegn," Gigi's debut captures the many facest of this unique artist.
  • \ / ][ |\| y |_ (1965) 4 On perhaps the opposite end of the spectrum in terms of sleekness is Andy Warhol's dirty, ragged Vinyl, his film adaptation of Anthony Burgess' novel A Clockwork Orange. Fans of Kubrick's version from 6 years later would probably have a hard time at first recognizing the story amid Warhol's static mise-en-scène and the stilted, halting performances of his untrained actors. Factory regular Gerard Malanga plays the lead, Victor, in one of the most hilariously bad performances ever put on film. He sounds like he's auditioning, poorly, for a high school play, and the other actors aren't much better. The exceptionally long takes don't help matters, as flubbed lines and stammers are left in along with blank moments while the actors search for the next bit. Clearly, realism and emotional investment are far from Warhol's mind here; all the actors show about as much interest in the story as they would in a gum wrapper on the street. This disconnection is coupled with Warhol's decision to film the entire thing from a static viewpoint. There are just three shots in the hour-long film, and all the "action" is limited to one tiny corner of a room where all the characters are crammed into the shot. The net effect is that the story becomes curiously flat and affectless, mirroring the numbing of Victor's mind that accompanies his transformation from bad to "good." In Warhol's version of the story, form and content are truly married; if Burgess' story is a parable on the dangers of ...
  • \ / ][ |\| y |_ (1965) 1 On perhaps the opposite end of the spectrum in terms of sleekness is Andy Warhol's dirty, ragged Vinyl, his film adaptation of Anthony Burgess' novel A Clockwork Orange. Fans of Kubrick's version from 6 years later would probably have a hard time at first recognizing the story amid Warhol's static mise-en-scène and the stilted, halting performances of his untrained actors. Factory regular Gerard Malanga plays the lead, Victor, in one of the most hilariously bad performances ever put on film. He sounds like he's auditioning, poorly, for a high school play, and the other actors aren't much better. The exceptionally long takes don't help matters, as flubbed lines and stammers are left in along with blank moments while the actors search for the next bit. Clearly, realism and emotional investment are far from Warhol's mind here; all the actors show about as much interest in the story as they would in a gum wrapper on the street. This disconnection is coupled with Warhol's decision to film the entire thing from a static viewpoint. There are just three shots in the hour-long film, and all the "action" is limited to one tiny corner of a room where all the characters are crammed into the shot. The net effect is that the story becomes curiously flat and affectless, mirroring the numbing of Victor's mind that accompanies his transformation from bad to "good." In Warhol's version of the story, form and content are truly married; if Burgess' story is a parable on the dangers of ...
  • John Travolta - Grieving and Deceiving I accept that this video will not appeal to everyone who opposes the lies of Scientology, but I believe that the truth regarding Jetts death is more important than the celebrity image of John Travolta. The fact is that virtually everything the celebrity family of Jett Travolta has said about the ***ager since he died has been fabricated. Even the publicity photos of Jett they sent out after his death have been image-enhanced. The constantly changing versions of the events surrounding Jett's death have gripped the public's imagination because it is so congruent with the story of his father's life. John Travolta would have us believe that he is just a regular guy; that he is not a member of a crazy cult; and that he is straight. Both are false. Let's count the inconsistencies, which extend back long before Jett's tragic passing: 1.Jett's parents, John Travolta and Kelly Preston, adherents of Scientology, have long maintained that Jett suffered from Kawasaki disease, an immune disorder which causes inflammation of blood vessels. However, Kawasaki disease is not linked to seizures, according to medical experts. 2.When they weren't blaming Kawasaki disease, they publicly maintained Jett's health was fine, even though many in Hollywood believed Jett suffered from autism. And suddenly, after his death, we learn that Jett wasn't fine; rather, he was constantly supervised by two nannies and a baby monitor. 3.Autism would explain Jett's disturbingly affectless appearance in public ...
  • \ / ][ |\| y |_ (1965) 7 On perhaps the opposite end of the spectrum in terms of sleekness is Andy Warhol's dirty, ragged Vinyl, his film adaptation of Anthony Burgess' novel A Clockwork Orange. Fans of Kubrick's version from 6 years later would probably have a hard time at first recognizing the story amid Warhol's static mise-en-scène and the stilted, halting performances of his untrained actors. Factory regular Gerard Malanga plays the lead, Victor, in one of the most hilariously bad performances ever put on film. He sounds like he's auditioning, poorly, for a high school play, and the other actors aren't much better. The exceptionally long takes don't help matters, as flubbed lines and stammers are left in along with blank moments while the actors search for the next bit. Clearly, realism and emotional investment are far from Warhol's mind here; all the actors show about as much interest in the story as they would in a gum wrapper on the street. This disconnection is coupled with Warhol's decision to film the entire thing from a static viewpoint. There are just three shots in the hour-long film, and all the "action" is limited to one tiny corner of a room where all the characters are crammed into the shot. The net effect is that the story becomes curiously flat and affectless, mirroring the numbing of Victor's mind that accompanies his transformation from bad to "good." In Warhol's version of the story, form and content are truly married; if Burgess' story is a parable on the dangers of ...
  • QualityStocks Daily Video 10/25/2007 Welcome to The Daily Stock Report...brought to you by , where performance is tracked daily. I'm Jenn Hoffman, and for Thursday, October 25th we're bringing you the latest news from around the markets ... (HEADLINE NEWS) Today's headline news are brought to you by Nascent Wine Company, Inc. (NCTW) Nascent Wine (NCTW), doing business as Nascent Food Service,(NCTW) is one of Mexico's largest distribution, sales, merchandising and promotions company of imported food and beverage products. Lets take a look at the Headline news from Wednesday... Wall Street recovered from steep losses amid hopes for an interest rate cut, but stocks still closed, down, in response to Merrill Lynch's credit-related losses and a sharp drop in existing home sales. Rapidly rising Internet star Facebook Inc. has sold a 1.6 percent stake to Microsoft Corp. for $240 million. Microsoft also will sell Internet ads for Facebook as the site expands outside the United States, broadening an existing marketing relationship that began last year. Bank of America Corp. said Wednesday it will eliminate 3000 jobs, most of them from B of A's investment banking unit. The cuts will affect less than 2 percent of the company's staff, the company said. The markets open up this morning with... The Dow down, .98 or point 01% The Nasdaq is down, 24.50 or point 88% And the S&P 500 is down, 3.71 or point 24% And now for a look at the Small Cap news Quality Stocks is tracking... Small Cap headlines are ...
  • The Long Goodbye (1973) Part 1 Raymond Chandler's cynically idealistic hero, Philip Marlowe, has been played by everyone from Humphrey Bogart to James Garner--but no one gives him the kind of weirdly affect-less spin that Elliott Gould does in this terrific Robert Altman reimagining of Chandler's penultimate novel. Altman recasts Marlowe as an early '70s LA habitué, who gets involved in a couple of cases at once. The most interesting involves a suicidal writer (Sterling Hayden in a larger-than-life performance) whom Marlowe is supposed to keep away from malevolent New-Ageish guru Henry Gibson. A variety of wonderfully odd characters pop up, played by everyone from model Nina Van Pallandt to director Mark Rydell to ex-baseballer Jim Bouton. And yes, that is Arnold Schwarzenegger (in only his second movie) popping up as (what else?) a muscleman. Listen for the title song: It shows up in the strangest places.
  • Who is this guy - F.Shorty Spitting over "The Original" beat by MF Doom & MF Grimm No copyright intended. Lyrics: [Verse 1] I dont look like the average rapper F.Shorty didnt grow up in the hood, should he rap? Let him try it Shut up be quiet, you guys are now in company of greatness Its time to address the haters, gonna spit my saliva full of acidness F.Shorty is not human; hes a monster without heart, affectless Lyrically superb, raps fiend needle They will seriously need me Lyrical sickness, you are my eye-witness This is of your interest, seeing my mental quickness Act tough and there will be no forgiveness My formula proper, Im stronger then vodka Hop up in the chopper Theres no difference, your existence will be none After I handle my business, in 2010 Thatll be my year, whats hip hop these days? Mohawks and skinny jeans, major by any means [Verse 2] Im a big threat like a virus on the internet That hasnt been discovered yet Gonna go in the game and kill it F.Shorty is no such thing as a one hit wonder We can split the money but I wont quit Im amazing, sun blazing, hell raising You know what? F.Shorty doesnt have to spit, he just un-swallows Call me Apollo, musical god no single odd will stop me I dont have to go in like wayne, been there no question about it And I will remain, like coke on a 100 dollar bill You might sell more cds but I got skill, the skill to put you in a trance like a pill Im half man half machine, this is my daily routine I might spit some mean stuff but I stay really ...
  • BREAD Palestinian poet, Samer Tamimi, reads his own poem. The reference to bread is homage to the poet Mahmoud Darwish. "Bread" Estranged. Tethered to what remains no longer there, we fill the earth, we stand concrete, against the abstracted, grounded humans. We of affectless features, we seethe at the mad, spasmatic, twitchings of the marionette. We take our coffee before our sleep. Our daydreams, too fragile to be exposed to Mans harsh gaze, are, nightmares too harsh to be exposed to Mans fragile gaze. Apocalypse: a hoped for cure. Our concept of love lingers among discarded toys. Laughter battles tears, and both stand heaving, fists at sides. No energy to breathe. And to die for those barren lands a smile on a weathered face. A wind-swept, affectless face. He mentioned bread and watered the eyes of a thirsty people, a flood of people, praying for, just one more bite. Samer Tamimi (2007)
  • Douche Busters | 3am Kitchen Dude - Help us solve the case - REWARD! Tweet tips with #3amdude We're on the man hunt with the first episode of Douche Busters -- Tweet tips with #3amdude REWARD! Adam Goldberg DVD box set At 3am on Saturday night, January 22nd or Sunday morning January 23rd, depending on how you look a it, character actor and dilettante Adam Goldberg was playing guitar in his office while the lady of the house had fallen asleep on the couch in front of the television with the dogs. She woke and asked "Can we go to bed?" "5 more minutes," the high strung Goldberg responded. Then the sound of a sliding door. Goldberg assumed the lady of the house was seeing to the dogs' bladders. But moments later the miniature pinscher of the house began to bark wildly and the lady screamed with unbridled and unprecedented terror. Goldberg who usually likes to avoid an incident ran downstairs to the living area fueled with adrenaline and wielding a 1965 Gibson ES-330 (shown here for the purposes of our reenactment as a new Epiphone Casino) and aggressed the hapless hoodie wearing white actor-looking dude in his mid-20s, standing in their kitchen. The dude had a decided lack of affect, neither aggressive nor defensive. While Goldberg continued to aggress him with the guitar and scream not unlike he has in some of his lesser known community theater work he was also trying to figure out what Andrew Garfield, the English actor guy from the Facebook movie, was doing in his kitchen. He decided it was unlikely him though the resemblance was striking ...
  • Co Existence The shelter sits on beside Ayers Rock in Uluru, Australia. When I design this shelter, I thougt there is Nature which is still existing and forever. So I carefuly approached to it. I think we should be care everything when we place something on the earth and nature. If something is made, it could be destroy the existing harmony. I hope this shelter will affect less toward nature.

Blogs & Forum
blogs and forums about affectless

  • “My friends in Maine, after a winter where the snow reached the top of the stop signs, can see the first hints of bare ground. They are experiencing "cabin fever" a restlessness as winter winds down. Andy Warhol, supercool, like”
    — I start spreading rumors to my dogs. (Comics Legends and Lore), time-less-image-

  • “A suspect—a creepily affectless German named Klaus—is arrested, and police officials Columbia University Press Blog. Harvard University Press Blog. Illinois Press Book Blog”
    — Seminary Co-op Bookstores, Inc. " Blog Archive " 2666,

  • “All power generator unscheduled of grief-tense and lunatic with riled old man -and blazingly affectless, recipient to rain, as if the enate changeable itself safely spectrographic for tears”
    — All power generator,

  • “Chat, debate and share ideas as part of the Internet's most vibrant film community. Empire Blog | Movie Reviews | Future Films | Features | Video Interviews | Image Gallery | Competitions | Forum | Magazine | Resources | Free Movies. Mojo4music | Q4Music | Kerrang! | | Kiss. Forum Software”
    — RE: New Review, No) 38,

  • “Keith Richards' 'Life': Review Revue - Wall Street Journal (blog) but it also isn't slow or mumbly or affectless enough to become a critic's darling”
    — Mumbly news,Mumbly videos,Mumbly images,Mumbly headlines,

  • “Automated Trading Championship 2008 - MQL4 forum Besides, like all other computer programs, Expert Advisors are affectless. They operate according a clear algorithm and do not deviate from it guided by feelings”
    — Automated Trading Championship 2008 - MQL4 forum, forum.mql4.com

  • “Read Abre los ojos! by dana scruggs on Myspace Blogs! New blogTopics added every minute. Everyday, Im sick and tired of hearing on the news, that s of hearing on the news, that someone has been raped and brutalized at the hands of another human being. How do people become so affectless and EVIL?”
    — Abre los ojos! - dana scruggs's Myspace Blog |,

  • “Most comprehensive music blog aggregator - search and browse hundreds of thousands of music posts and music videos”
    — Musical Pairings @ Eating-SF > Elbows Music Blog Aggregator, elbo.ws

  • “Hello! My name is Mills Baker. This is where I write about love, culture, art, religion, philosophy, memory, politics and a great deal more. Perhaps you'd prefer images, or music, or something random”
    — Where Mills Writes &c,

  • “Fire Lucas as director, who has no sense of control over his storyline, encourages flat and affectless acting, and shellacs every scene with such a frenzy of special effects that they assault your senses like Forum List | Need a Login? Register Here. User Login. User Name:”
    — O/T Forum,

Keywords
related keywords for affectless